Patrick Stewart Quotes

I had no intention of pursuing either the characters or the setting further.

For me, it's nice to have a character who can never find love and have that be the running theme, but I think when you open the door to a story line about relationships, you open the door to another realm of comedy.

We may not know the whole story in our lifetime.

'Sunrise Sunset' is a letter I wrote to a girl I was once with who I really thought I was going to fall in love with. We tried to make it work but always had trouble maintaining a real relationship because we were both so caught up with work, life, and everything else that at the time seemed like it was the priority.

I think to myself, How would things be for me if my dad was still alive? Would we get along? Would we argue? You know, we never got to the falling-out stage with each other.

'One Day' is definitely heartbreaking in a few ways, but one of the main ways is that my character and Jim Sturgess's character are just people from two different worlds who love each other in so many ways and can't quite seem to get it together.

The sadness of the incomplete, the sadness that is often Life, but should never be Art.

That's the thing with 'Lost': you can put a spin on so many things.

We have all loved a guy we know has issues. Despite popular opinions, until we give it a final try, the relationship will always be in the 'what if' stage.

In the book the relationship with Katharine and Almasy is sort of only in the patient's mind.

When the audience first sees Cooper talking into his tape recorder at the beginning of 'Twin Peaks,' I think that's the greatest introduction to a character I've seen in my career. It tells you everything about the guy right there in a few minutes as well as bringing up a whole load of questions.

The characters are always the focal point of a book for me, whether I'm writing or reading. I may enjoy a book that has an intriguing mystery or a good plot, but to become one of my real favorites, it has to have great characters.

If I didn't like someone, I wouldn't want him calling me up when I was dying. I wouldn't want them having regrets that they didn't talk to me.

I just felt that you can't have a character fall in love so madly as they did in the last movie and not finish it off, understand it, get some closure. That's why the movie is called 'Quantum of Solace' - that's exactly what he's looking for.

On 'Supernatural,' you go to a location and another location, and every week they do amazing things up there. You have to kind of hit the ground running and really start to look to the core of the story you're trying to tell.

Revie said there was nothing between me and Ray yet he never gave me a chance to show what I could do.

Sometimes your friends are your lovers, or have been at one time.

With television, I worked on 'Lost,' where you'd just put your faith in the writers and go with what they're writing.

I have no clue why, but maybe sometimes when there's someone you don't hear from, it's the person you want to hear from the most.

'Vegas' was something very close to me. I had such a blast doing that. I'm still a little upset that we never really got to shoot that final episode. So many people were invested in it. I'll always be sad about that.

Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.

I flirted with Rihanna once. It didn't work - but it didn't not work. It didn't go anywhere, but it was a great conversation.

Your experiences are what made you what you are today. So when tragedy happens in people's lives, and things are left unsaid, it can be very unsettling. The lack of closure can linger.

I like gaps; all my stories have gaps. It seems this is the way people's lives present themselves.

I'm interested in characters and relationships.