Kate Atkinson Quotes

People get burned out in big families, you can even see it in the naming of children. Like the first kid, "You were named after Grandma." The seventh kid, "You were named after a sandwich I had. Now get your brother, Reuben."

Whether you're choosing for yourself or for a character - or for a child - names have baggage of their own.

Always end the name of your child with a vowel, so that when you yell the name will carry.

The main thing I've done for my children is not to give them a stupid name, like actors do.

I always said if I had a son, I was going to give him a unique name.

... characters are not born like people, of woman; they are born of a situation, a sentence, a metaphor containing in a nutshell a basic human possibility that the author thinks no one else has discovered or said something essential about.

Once, during an interview in front of my wife, I was asked, "Are you one of those actors who brings your character home? Do you stay in character?" I said, "No, not really. I don't do that," and she started laughing. I asked her why. She said, "Well, you might think you don't bring characters home, but you do." So, while I don't feel like a character is lingering, it probably is.

Games are a trigger for adults to again become primitive, primal, as a way of thinking and remembering. An adult is a child who has more ethics and morals, that's all. I am not creating a game. I am in the game. The game is not for children, it is for me. It is for an adult who still has a character of a child.

No one of the characters in my novels has originated, so far as I know, in real life. If anything, the contrary was the case: persons playing a part in my life--the first twenty years of it--had about them something semi-fictitious.

When I was born, my dad and my mom gave me names, but in Africa, when your child is born, especially close family members can suggest names they want to add on.

The truth of it is, writers do have peculiar relationships with their characters. They are our children in more senses than one. They are born of our imaginations, carry much of ourselves in them, and embody whatever dreams we dream of immortality.

Sometimes I think that people's characters get forged, at least in part, from their names.

What kind of man can name a child Moon Unit?

I remember when I was a kid, I loved Sherlock Holmes. I thought Arthur Conan Doyle was one of the greatest writers, because I felt I knew Sherlock Holmes. He existed to me. When I went to England the first thing I did was go to Baker Street to look for his house. I think you've got to try to make all of your characters as empathetic and realistic as possible.

I think "honest" sometimes gets used to describe a real depiction of real life. I don't think that's necessarily what we're doing. We created these fake characters and we're just trying to figure out what they would do in situations they enter into.

I don't think you can teach someone how to come up with good characters or a story.

Glimmer, I hear someone call her - ugh, the names the people in District 1 give their children are so ridiculous.

My son is actually named after Beck, the musician. We heard Beck on the radio and thought that was a good nickname for a child. We named our son Beckett so we could call him Beck - we reverse engineered. And then after he was born and I saw the name on the birth certificate I realized Beckett was a really pretentious name, way too literary. Luckily he's grown into it. We nearly named my second son Dashiell. Can you imagine? Beckett and Dashiell. It would have been a disaster of pretentiousness.

I project myself so deeply into the characters in novels that I'm not thinking about my own life.

It's weird, not to sound too actor but I think that any time you do a performance, you kind of take a little piece of that character, cause it's a part of you you're using.

Character, I think, is the single most important thing in fiction. You might read a book once for its interesting plot—but not twice.

It takes about a year to write an opera for me, but not a really a year of writing. I'm touring at the same time, and I'm playing, sometimes doing smaller projects.[The opera] Akhnaten fits in with Gandhi and Einstein, so that forms a trilogy in a way.I picked people who were these kind of larger than life characters, who kind of changed the world they lived in by almost the force of their personality and their inventiveness. People that I think not only do I admire but I think they're admirable people.

Norah looked at her son’s tiny face, surprised, as always, by his name. he had not grown into it yet, he still wore it like a wrist band, something that might easily slip off and disappear. She had read about people – where? she could not remember this either – who refused to name their children for several weeks, feeling them to be not yet of the earth, suspended still between two worlds.

I don't think about the stories so much, as the characters themselves. They live on, and they are almost as real as I am.