Richard Gere Quotes

Finding the physical aspect is important to me because that is often how we read people in everyday life.

Ninety-eight per cent of all human communication is non-verbal.

Men as a whole judge more with their eyes than with their hands.

I can watch anybody all day long if they're really doing what they're doing. I have a fascination with human behavior, watching people talk, when they pick at their face or how they hold their hand or if they're listening to you, if they're not listening to you.

I often need physical gesture to balance dialogue. If I write in public, every time I need to know what a character is doing with his hand or foot, I can look up and study people and find compelling gestures that I can harvest. Writing in public gives you that access to a junkyard of details all around you.

People generally express more in between their sentences when they're not speaking. Words are usually there to disguise who someone is or what they're feeling.

Really good acting is not about dialogue. It's really just about small moments that really make the whole entire scene and the intention completely different than even maybe what the characters are saying. Two characters could be saying, "I hate you, and I don't want to be with you anymore!" But yet somehow, their toes are just inching more, you know, closer to each other. So a really big thing about acting is really just with your body.

There is as much expression in the feet as in the hands.

Watch their hands, watch their eyes. Read eyes. No matter what a man is saying to you, it's not as important as what you can read in his eyes. The most important thing a man has to tell you is what he's not telling you; the most important thing he has to say is what he's trying not to say.

There are some gestures, of course, that you can only interpret one way, but no one has ever seen those kinds of gestures directed by Obama at me or by me at Obama, and I hope that never happens. Everything else is fantasy.

You're making a fantasy. You're making something real out of a fantasy. And then it no longer exists. It's heartbreaking to leave behind. I was devastated after Waiting for Guffman. I had never gotten so close to people I've worked with.

I make a gesture that is intended to convey, "Hey, no hurry, talk as long as you'd like," and probably actually conveys, "Hey, look at me! I have spastic hands.

That great brow And the spirit-small hand propping it.

With public speaking, practicing congruence is very helpful - allowing the words to be expressed with the face and body. It helps to think of simply "turning up the nonverbal volume."

My way in for photographing people is really their work. I'm always interested in what people make, and then I photograph the person. Sometimes the person is a disappointment. But that's the risk. It informs me a lot about the character of a person if I know their work first.

There's looks as speaks as strong as words.

I'm afraid I tend to be thinking about things and not paying sufficient attention to one's posture, deportment and general cast of face.

fiction is founded on truth....unless things did happen,people couldn't think of them.

His hands are off," Gabrielle pointed out. "Posture's wrong," Kat said. "He's still ... hot," Gabrielle said, as if it were the greatest insult in the world. "I feel so objectified. So ... cheap," Hale told them.

Some of my characters are a mixture of various aspects of people I have met. others are pure invention.

During the actual filming, I’m not really listening to dialogue. I’m watching to see if the actors are communicating something and expressing something. I’m just watching a conversation. You’re not aware of exactly what people are saying. You are aware of what they are INTENDING and what kind of feeling is going on in that scene.

Let me hear your body talk.

Mind not only what people say, but how they say it; and if you have any sagacity, you may discover more truth by your eyes than by your ears. People can say what they will, but they cannot look just as they will; and their looks frequently (reveal) what their words are calculated to conceal.

Behold the hands, how they promise, conjure, appeal, menace, pray, supplicate, refuse, beckon, interrogate, admire, confess, cringe, instruct, command, mock and what not besides, with a variation and multiplication of variation which makes the tongue envious.