Suki Waterhouse Quotes

I am excited to partner with Aeropostale for my very own collection. It was a great experience to be able to work with them. Not only did I get to design an entire fashion line, but I got to do it at a great price point with quality clothes, both of which are very important to me.

Designing a collection with Aeropostale was completely surreal.

Even though I design my own jewelry, one of the great things about my job is being able to bring in really talented collaborators.

I like to find things that are unconventional and make them look classic, because if I'm forcing something, you can just tell.

I only do what I do. For me, it is a craft. It's got to be my own thing - otherwise, I would never be successful. I could easily go to the archives and pull 1987 or 1991 collection by Calvin Klein. But when you look in there, you realize that it was never about one piece. It was about the collections as bodies of work.

My relationship with M&S continues to be an exciting journey, from modelling to designing my online range.

Always my collections are made of different influences.

My work is distinct and definitive and specific, and hopefully it is so that every single character is different, and they are - but there's probably an underlying element that's me.

My favorite days are the ones where I deal only with my own team, design, marketing, working on the next accessories collection.

My favorite thing about doing photo shoots is just being able to have fun, meeting new people, getting dressed up, and I just love doing it. So, I have a lot of fun.

It's totally thrilling to direct.

The hunger for knowing is what excites me. I get to geek out about editing, be on set, give notes to writers - I love it all.

I was a baby when I began, but I knew exactly what I wanted to wear myself. I became a jewelry designer because I knew how to do something with a pencil and sketch my ideas.

The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.

Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I'm a collaborator there and I bring in other people, other artists and I work with a great creative design team.

I wouldn't want to do an average fashion line. I'd want it to be an amazing piece of art.

I believe in sketching because there is something very sensitive in sketching, you know, in sketches that you don't have out of a computer that looks the same like everybody even if, later on, the dresses are OK, but I like to sketch, and I like to see trails made after my sketches that look the same. It is you know, what I like.

Shane McAnally is a really good friend of mine. He's one of the first guys that really embraced what I was doing with an open mind.

Frank Gehry not only understood my sense of fun and adventure but also reciprocated it and translated that feeling into his work.

I always have a soft spot in my heart for New York designers and independent designers, people who are doing the fashion equivalent of what I'm trying to do in film.

The most significant pieces for me are the ones that come from my drapings. It's emotional because they are created by my hand and then become a collaborative process in the atelier.

Anything Pixar does, you know, I really just am in awe of them and thrilled to be included in anything they do.

There's never a dull moment on a David O. Russell set. But that's the beauty of it. That's the magic.

I have made things for Calvin Klein and other designers, and it's interesting to see the way each person approaches it.

It has been a privilege to meet and work with so many great people and, from the workshop to the joy rides, to be allowed to experience so many fabulous cars and amazing locations.