Bonnie Hunt Quotes

I love Pixar films; I think they're the greatest filmmakers in the world. I love Disney films. 'Tangled,' was great. I loved 'How to Train Your Dragon,' the Dreamworks film. But it's not for me. I don't want to make a film for families; I want to make adult films.

Walt Disney wasn't making films for kids. Neither were the Muppets. A lot of the great, really cool films, they weren't making them for kids.

When we did 'Toy Story,' that was an all-hands-on-deck situation that really was time-intensive.

From an animation perspective, it doesn't get better than Pixar. You're working so much in the blind because the huge circle of collaborators that's required to pull off a film like this means that you are just one small arc in that large circle. The level of trust that you have to give into is significant.

I think I am filled with excitement when it comes to doing films.

This generation of filmmakers is very good. They're seasoned, for some reason.

Chris Carter is just a fantastic guy, I have enjoyed working for him, immensely. I loved this character. I don't think I can say enough about Chris. It's just a fantastic thing that he's created and I'm so thrilled that I've been a part of it. I'm very grateful.

I love doing big movies. It's awesome! You have all these toys. The thing I like about this movie is, like they always say, directors have the biggest train sets! Don't tell anyone, but I'd do this for free.

Whether it's a 16-year old girl, or a mom, or a guy, or anybody, as long as they come up and they're excited to meet me 'cause they've had some sort of relationship with something I've created, it's the coolest thing ever. It never gets old. It's awesome.

I love working with Sally Field, and Steve Buscemi is one of the most giving, talented actors I've ever worked with.

But I don't just see the movie when I see the movie, I see all the great people who worked on it and all their hard work, because they could not have worked any harder.

It is so exciting to get a phone call saying you're going to be working on a Disney film.

Every Pixar film, when we start developing the story, it takes about four years to make one of our films.

I'd love to have done 'John Carter.' I'd love to work for the Disney Corporation.

Bill Hanna and I owe an awful lot to television, but we both got our start and built the first phase of our partnership in the movies.

Working with and collaborating with and for Peter Jackson was an incredible experience because he is such a phenomenal filmmaker.

The process of making a movie is what I love. I thrive on that. It's an exciting miracle, a mad adventure. I love being part of it.

I get nerdy and nervous around not only great actors, but great directors and DPs I love.

Everybody involved in Pixar, I've not met one person who's not incredibly creative and nice and lovely and know what they're doing.

I have to pinch myself every time I think of getting to work with Kathleen Turner.

There was a guy that I got to know pretty well - Joe Grant. He was one of the creators of Dumbo and worked side-by-side with Disney. Being a total Disney nerd, I was obsessed with asking him questions. He was 92 when I got to know him.

When the Pixar people call, you jump at the opportunity.

There's a lot of people I would be more than a little overwhelmed by and thrilled to work with.

It's always exciting to work with people you admire.

I think Pixar's done an amazing job integrating art and science. They really get this idea that art and engineering work side by side.