Adam Pally Quotes

In this day and age, if you're aspiring to be an actor, and you're putting all your eggs in one basket, you could be disappointed. I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first 8 to 10 scripts were pretty horrendous, but I stayed at it until I eventually found a voice and a subject that people were interested in. So, I recommend that you go out and try to be as versatile as possible: writer, actor, producer and especially director.

Jim Carrey can do anything he wants, right? There are guys like that. I'm not one of those guys, so my career has been cobbled together with what the universe has put in front of me.

I always loved how people like Jon Voight and Laurence Olivier shocked you every time they came on-screen. They were so different each time. That's what I hope to do with acting - be the chameleon and not get stuck in a type.

Be able to take any job that gives you experience on a film. Don't just think that you have to be in one department or the other, because through working on one and seeing what other people do in the movie makes you realize what your role is if you become a costume designer.

I'm always looking to play the part that people don't think of me in.

I dont ever want to do anything mediocre. I hear the music in the charts and I dont mean to be rude, but those people have no soul. Learning from music is like eating a meal - you have to pace yourself. You cant take everything from it all at once. I want to be different, definitely. Im not a one trick pony. Im at least a five-trick pony.

When I started in the theater, the joy for me was playing different parts, and I get set alight by different people and different worlds. The biggest joy for me is jumping around and going from that to this to that, never feeling that I'm any one thing - because I'm not, and we as people aren't.

I hope people will put aside Tom Ford the fashion designer and think about Tom Ford the filmmaker.

I feel very lucky because I don't think there's any part I can't play. There are parts that scare me more than others.

I think the reason why I have so many movies to my credit is that I never say no to any project, I never veto anything. I sort of challenge myself to do stuff, even if it's something that I've never done before.

I like to think that I get better and better as a writer, but it seems pretty easy to me to slip on disguises of various people.

I know people think that acting is not quite the occupation of grown-ups, but it is actually the ultimate learning process: You get a multitude of experiences, all for the price of one life.

There are people that have only seen me in dramatic stuff and they go, "Oh, I didn't know you could do comedy," and then there are comedy people that go, "Oh, I didn't know you could do drama." I want to try to do both.

I've always been a huge fan of Patricia's [Rozema ], as a director and as a writer, and she's a friend. For me, Patricia is one of those people who can cross genre in a way that I think has been pretty incredible, if you look at her career and the versatility of her work.

I want to do drama - no one really sees that. People just think I'm the funny guy and I can't do anything else, and that's just not true.

Actors have to remind people that they can do different things, not just the same style of one role.

I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.

I think, there are many people who are much smarter than I am, and many, many, many who are much harder-working than I am, but in terms of the range of my activities, they're unique.

I love the chameleon nature of this business [acting]. I always have. Sometimes I'm not as recognizable as somebody else and I may not have gotten a role, but for me, acting is not a competition. I've just kept my head down and kept working, and had the great pleasure of working with some amazing people and playing some extraordinary and extreme characters.

I've lived a little bit and traveled the world and experienced a lot of things that I can play any role, and I think I can get into stuff that people never thought I would ever do because of my experiences and growth as a person.

My instinct is to keep people guessing. I think as an actor your greatest strength is your versatility, I suppose. The blanker the canvas, the easier it is to project the illusion of a character onto it. I think there are many actors who do that very successfully.

The number one thing for me is diversity. I always want to ensure that people can't put me in a box. I can play a bad guy, I can play a good guy, I can play a good bad guy, I can be the host of a show, I can be serious, and I can be funny.

I think people who basically do one thing like Eric Clapton is great. But I've always enjoyed playing different kinds of music and playing with different kinds of musicians because I find that really interesting, like learning and working with Kip Hanrahan. There's a great conga player called Milton Cardona and he taught me a lot of the nuances, he's a Santeria Priest and so he knows his onions as it were.

I don't think of myself of a late-show host any more than I think of myself of a game-show host. I mean, I've done both, I've been an actor. I'm just kind of a carny, that's it.

I just want to do as many different genres as I can. I think that's part of it... to not get pigeon-holed because if one of them breaks out and becomes a big hit then typically people want to keep putting you in that kind of role.