Maxwell Caulfield Quotes

I did Chicago on Broadway the year before last. That was a great opportunity and I had a blast.

My favorite Broadway show day-to-day, just for the experience, was 'The 25th Annual Putnam County Spelling Bee.' The people were so much fun. It was a great show.

I think 'Hair' is the kind of show that benefits from the live experience - it needs to be seen and heard.

The Opera is obviously the first draft of a fine spectacle; it suggests the idea of one.

I'd love to do 'Gentlemen Prefer Blondes' again - especially on Broadway.

You have to realize that when I started to work on 'Aladdin', Disney Theatrical wasn't in existence. I suppose I had always hoped that 'Aladdin' would be somewhere on the runway.

'Miss Saigon' taught me what it means to help carry a big show, and it had some of the most gorgeous songs wrote.

When I was a kid, they bussed us down to a screening of 'To Kill a Mockingbird' in an old theater, and it was just a great experience.

I want to do rock operas.

I watch 'Singin' in the Rain' at least once a year with my grandchildren, and they just adore it.

I was born and raised on 'Singin' in the Rain.' It's in my work. It's in me.

I was on my dad's tour bus when I was super little. My dad did a tour of 'Annie Get Your Gun' when I was really little, and I loved going and seeing him do that.

Have you seen the Broadway version of 'The Lion King?' Go and see it. That's where the future of musical is.

There weren't a lot of 'Singin' in the Rain' fans in my age group.

Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.

It's kind of wild and wonderful that 'West Side Story' continues to have a life after all these years. And when you see young people who are really engrossed by this film, that's so beautiful.

When I was in New York for 'White's Lies,' I saw 'American Idiot' and 'Hair.' I loved both of those.

In the late 1960s, I was working as an usher for the New York stage production of 'You're a Good Man, Charlie Brown.'

I would not rule out a musical. What I will categorically say is that I will not be in a 'Peaky Blinders' musical.

Some of my own books are being developed - one as a Broadway musical.

I've always wanted to do a cabaret.

It's a phenomenon how 'Grease' is so popular; it really is.

The one thing I have always felt about musical theatre is that it is, to an extraordinary degree, about construction.

Once you're in a musical, there is a huge opportunity for that, singing and dancing, 'Aha!' and 'Tada' at the end of the numbers; but it's a different kind of discipline you have to go through to maintain that kind of performance.

In school, I always sang in choirs. In fact, I used to do a lot of musicals in the youth theatre that I was a member of between the ages of 16 and 18.