Laurie Simmons Quotes

Nobody is surprised that women writers accurately represent male characters over and over again, no doubt because everybody knows that women understand men much better than vice-versa.

I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]

When women play men, it brings out our better game.

There's something about doing Shakespeare with a single gender, whether it is all-male or all-female, that opens up certain possibilities. You are able to throw the behavior of the men into a particular relief and be playful within a slightly larger-than-life way with it.

The #metoo campaign opened a particular window into the gender dynamics in technology, with many prominent women speaking out.

I loved doing 'Pop Factor,' though I know a lot of people were a bit uncomfortable with that, what with me playing a woman, but for me, as an experiment, taking on the wrath of that genre, it was worth it.

It's not that I am saying that women and men are completely different. But I do think that if you are one of the only people around the table who is a woman, by definition, you're different.

'Ghost World' was such an incredibly difficult episode to find the right tone for. I remember at the time it was very divisive because some people hated it - they thought it was cheesy and hokey - and I loved it. When I saw it, I cried my head off, and I was so happy.

Women's vulnerability confessing their desire to see men as a success object is matched by men's confession of compulsiveness of sexual desire for women.

I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can't because they can't face it.

The female experience is different from that of the male, and if, as a male writer, you cannot accept that basic premise, then you will never, ever, be able to write women well.

I think self-portraits are very difficult. I’ve always seen mine as straightforward, very stripped down, hair pulled back. No shirt. Whatever light happened to be available. I’d want it to be very graphic – about darkness and light. No one else should be there, but I’m scared to do it by myself. I’ve been thinking about it for a long time. The whole idea of a self-portrait is strange. I’m so strongly linked to how I see through the camera that to get to the other side of it would be difficult. It would be as if I were taking a photograph in the dark.

What is drawing? It is working oneself through an invisible iron wall that seems to stand between what one feels and what one can do.

I don't think there are that many parts I could say unequivocally "I would not play that," but there's lots of parts I read and I think, "I don't really want to do that. I don't really think that's how women act."

That's what we're all doing: paving the way, finding the roles that have the complication instead of the one that's always got it together or the dedicated housewife or the wild one who smokes cigarettes and sleeps with anybody.

Could it be the girls and boys are trying to be heard above your noise?

I lose faith every time I have to start a new page, and this is no joke. I've occasionally been criticized over the past couple of years for publicly "complaining" about how difficult drawing comics is, yet I've only mentioned it so that the younger cartoonists who are trying it out and finding it difficult and painful realize that they're not alone. There's not really any set way of learning how to do this, and it's always a struggle to improve, and, more importantly, see accurately whether or not one's work is communicating any shred of feeling or truth at all.

It can be exhausting eating a meal cooked by a man. With a woman, it's, Ho hum, pass the beans. A guy, you have to act like he just built the Taj Mahal.

It was so fascinating to be a part of this, because as the women took on these central roles that had all the good lines, therefore all the good laughs, all the great moments- the men, who had joined us to sit on stage, started squirming rather uncomfortably. And got really bored. Because they weren't used to being the supporting cast. It was fascinating to feel their discomfort, to discuss it with them afterwards when they said, 'It's boring to play the girl role.' And I said, 'Yeah. Yeah, ya think? Welcome to our world.'

I wish that we lived in a time and a generation where people would stop viewing my honesty as overly emotional. People always act like I spend my life crying in a dark room. I don't, I'm good. I'm a man.

It's fair to say that there's something retrograde about putting the leader of Star Wars rebellion in the position of "slave in a bikini." There's no question that that's a fair point. But, it is true, and it's kind of remarkable, that at this point in our history, the slave girl, for a time in the bikini, is the one who chokes her captor with her bare hands and using the chain with which he bound her. That's powerful stuff. That's more retributive feminism than I think teenaged boys had ever seen.

It's hard to generalize about that subject because the women I've worked with have all been so different. But if there's one consistency, it might be that you do have to handle yourself differently on a set. Women can be more emotional - at least they sometimes show it more.

Though, technically, I'm shooting on location, my films are actually based inside a woman's heart. I think women are more emotional than men, and that's a thread I've explored in all my films. When I see TV these days, I'm shocked at how all the main women characters are portrayed as evil. Women are the foundation of everything, and they deserve to be treated that way on camera.

If you're a woman and you've decided to step in front of people on any kind of platform and say that you have feelings about anything, you are committing a radical act. People view it as such, so you might as well actually commit a radical act.

If you're an artist, the problem is to make a picture work whether you are happy or not.