Alexandre de Betak Quotes

I wasn't naked, I was completely covered by a blue spotlight.

More and more, so it seems to me, light is the beautifier of the building.

Lighting is everything in a color.

A room is like a stage. If you see it without lighting, it can be the coldest place in the world.

Lighting is an essential way to change the mood of a room, especially if you can use dimmers.

Opera is too obsessed with buildings.

Playing with light is something that is very important, especially when you want cinematography in your game.

We wanted to incorporate lights and the like to really accentuate the music. We play mostly small venues, so we don't use it overboard by any means. The most important thing is the music. I think we do a good job of letting that show.

We enjoy playing small shows, big shows, whatever. There's the energy of the visual production, and all that stuff starts to happen, so when you see it come to life, it's pretty exciting.

'Session 9' used light and darkness to create atmosphere.

The new light above my table is a great improvement. With all this darkness around me I feel less alone. (Pause.) In a way. (Pause.) I love to get up and move about in it, then back here to... (hesitates) ...me. (Pause.)

A light bulb creates an environment by its mere presence.

The click [of a light switch] is the modern triumphal clarion proceeding us through life, announcing our entry into every lightless room.

Proper lighting is everything, Julianna.

Artificial light is used because you can control it better. Technically, it is more homogeneous, more delicate, and less damaging to artwork. But I think it's interesting when the visitor can see variations in the light, when it is not only technical or suitable.

I want to be the physical embodiment of light, you know? And I feel like now people know, when they see the lights go off and this light-up figure appear on stage, they know that's Mustafa Ali.

Imagining things are there that are not really there, with the green screen, is very much like theatre, when you're looking at the fourth wall.

Lighting is key for me for every project.

I was a theatre major and started off as a playwright.

We love the idea of having a really great lighting production.

Back-light is the cinematographer's friend.

I've learned that I've just barely scratched the surface of knowledge of the profession, and I have deep envy of and appreciation for filmmakers who really, truly understand the physics, the design of filmmaking. They can do story and color and composition and geometry and math and science all at once.

When you are shooting over a period of six months, you tend to forget how dark or bright it was. And when you are using different technologies, having a look book helps during the final grading of the film. So you can design what the film is going to look like even before the colouring process begins.

The essence of architecture is form and space, and light is the essential element to the key to architectural design, probably more important than anything. Technology and materials are secondary.

Lighting is a good way to change the look of a place without spending much.