Boyd Holbrook Quotes

Good actors are a dime a dozen, but I want actors that are gonna be part of my team and collaborative.

I love the process of working with a filmmaker and the writers and the actors.

I was very fortunate in the '70s to work with the best actors, the best directors, the best cinematographers.

I like to just work with great directors.

The nuts and bolts of shooting a film and writing a film are still really difficult. But what makes it easier is the fact that you know you're going to go to work with your best mate.

What I love about making movies is that it's a collaboration. It's one of the most rewarding things, to create something and have someone show you something that you didn't see, and vice versa.

No matter what you're doing, if you're trying to make a movie, you need to be working with people that are really good and who make you better.

A great movie evolves when everybody has the same vision in their heads.

Every film you work on is different, and that's part of what it's like for anybody who works on a film, is to learn how to work with others. Learn from top to bottom. Actors have to learn how to work with the director and the director has to learn how to work with actors, and that's not just those two departments.

And I just want to work with good directors and good people.

Films are not mathematics - that's the first thing you need to understand. At least, that's how I feel. They are not words on paper. Films are made with people, with teams and with individual bundles of creativity coming together to fulfill the vision of an individual who is the director of the film.

I love working with Sally Field, and Steve Buscemi is one of the most giving, talented actors I've ever worked with.

The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.

I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.

The great thing about movies is that they're collaborative. And the worst thing is that they're collaborative.

A big part of filmmaking is gathering a group of people you can work with.

Acting is a community where you come in and out of each other's lives. I'm slightly envious of the Golden Age of Hollywood. It must have been frustrating to be owned by the studio, but it was also like being in a company, working with the same people, and that appeals to me.

I think it's the essence of any film and any stage production - any work where you do work with other people - of course collaboration is hugely important. One does, for awhile, become family.

The crew on 'Three Bilboards,' by the way, is one of the best I've ever worked with. And that's not hyperbole.

I would love to just keep working with really great directors who really inspire me.

I love writing books, but it's a solitary experience. When I'm on a film set, I'm with a bunch of other artists working together to make one thing.

Normally sports day is once a year for kids, where you have fun, and everybody is jostling. For us, making movies is like having sports day everyday: competing with each other, doing your best. It's like that except we don't get awards every day in our sports day.

My biggest inspiration is to work with interesting filmmakers and learn from them in any way that I can.

I would love to work with Dustin Hoffman, John Malkovich, Omar Epps, Martin Scorsese, Josh Mond, Woody Allen, Paul Thomas Anderson, and David O. Russell, just to name a few. Those guys are absolutely brilliant at what they do.

I've been able to work on shows with amazing role models, amazing actors, incredible female filmmakers.