Howard Rheingold Quotes

I have always been fascinated by paleontology and prehistoric people, and I've always thought that one of the most intriguing moments in human history was the birth of artistic imagination. I always loved those cave paintings.

The first writing of the human being was drawing, not writing.

We start out a million years ago in a small community on some grassy plain; we hunt animals, have children, and develop a rich social, sexual, and intellectual life, but we know almost nothing about our surroundings.

Woman's success in lifting men out of their way of life nearly resembling that of the beasts who merely hunted and fished for food, who found shelter where they could in jungles, in trees, and caves was a civilizing triumph.

Shouldn't it give us pause that the oldest works of art are as impressive today in their beauty and spontaneity as they were many thousands of years ago?

We feel closer to the drawings on the walls of Chauvet than the painting of, say, an Egyptian mural. These artists are not remote ancestors; they are brothers. They saw like us; they drew like us. We wear essentially the same clothes against the cold.

In 10000 BC, all human beings were hunter-gatherers; by 1500 AD, 1 percent were hunter-gatherers. Less than .001 percent of people are hunter-gatherers today.

No amounts of stone and bone could yield the kinds of information that the paintings gave so freely.

I like to imagine that the Neanderthals were all really good artists.

The cavemen, when they saw the antelopes, they had to scratch them on to the caves because they needed to express the immediacy of what they were being affected by - and I love that. That is why I do what I do. I need to express myself.

The mystery is what prompted men to leave caves, to come out of the womb of nature.

Visual storytelling of one kind or another has been around since cavemen were drawing on the walls.

Do cave paintings mean anything? Not really, but I, for one, am happy to have them.

Huts they made then, and fire, and skins for clothing, And a woman yielded to one man in wedlock... ... Common, to see the offspring they had made; The human race began to mellow then. Because of fire their shivering forms no longer Could bear the cold beneath the covering sky.

Painting and drawing has been here for 35,000 years.

Chauvet Cave is rather like the awakening of the modern human soul or I would say the awakening of modern human culture. Because Neanderthal men who still rode the landscape parallel to the people who did these paintings didn't have culture. There's no evidence of culture, no symbolic depiction, no evidence of music, no evidence of sculptures, no evidence of religious beliefs.

It was 100,000 years before we figured out what to do with fire. Imagine cavemen, sitting in front of a fire, eating raw meat for 100 thousand years.

For at least 2,000,000 years men have been reproducing and multiplying on a little automated spaceship called earth.

That is certainly the point: when the human species was born, on the African savanna, life was pretty good; we could live in harmony with the rest of nature, and that's what I've been calling Eden. The only technologies that humans devised for some 2 million years were fire and the hand ax. That's all. Eden didn't need anything more

More poignant for us, at Laetoli in Tanzania are the companionable footprints of three real hominids, probably Australopithecus afarensis, walking together 3.6 million years ago in what was then fresh volcanic ash. Who does not wonder what these individuals were to each other, whether they held hands or even talked, and what forgotten errand they shared in a Pliocene dawn?

The definition of who's literate and who's not keeps changing. So, in Neanderthal times, if you painted on a cave wall, that was enough to transmit how you hunt, how you eat, how you cook, how you dress, and we can read about that.

Man needs spiritual expression and nourishing... even in the prehistoric era, people would scrawl pictures of bison on the walls of caves.

Even in civilized communities, the embryo man passes through the hunter stage of development.

[Art] would have helped us survive in the Pleistocene - in the period, say, 1.6 million years ago until fairly recently. The kind of imaginative abilities that artists have and that we all have in the appreciation of art - to appreciate Jane Austen, the late quartets of Beethoven.

The first art in caves were really psychedelic experiences, and the reason that they were is because the tribal encyclopedia, the amount of information that people needed to know in order to move to a new way of life, suddenly increased over that period of time.