Glenn Danzig Quotes

I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.

I have a lot of energy, and I move around a lot in my club act.

A CCR Headcleaner show will blow your mind.

I can tell how I'm doing, and I can tell if the crowd is particularly dead.

I never try and do the same show, ever. The audience controls the dynamic of the shows. Sometimes they listen, and sometimes they ask a million questions.

I just love engaging a live audience - I love that.

The idea of audiences becoming part of the show is, I think, where theatre is going.

Whether there's 100 people or 100,000, we bring our 'A' game every single time. We're full-speed on stage. We kick the audience's butt.

I prefer to play in smaller venues because I like the intimacy, the connection with the audience.

Obviously we're not Kiss, but we go out there and jump around like idiots and try to have a good time and entertain people.

I'm sure you get energy from your audience; it's a high.

When I play live, I jump around like an idiot for an hour-and-a-half or more under a lighting rig that's hotter than hell.

I love the stage - the fact that you only have one take to get it right, the interaction with the audience, and how every show is different even though you're doing the same thing.

I know that out of the thousands of people who show up, maybe nine of them will actually understand what's going on stage, music-wise. But no one should be sitting down in my concert.

Everybody knows that at a Freedia show, you're definitely going to have some crowd participation, and they're anticipating and waiting for that moment.

When I'm performing for 4,000, 5,000 people, it's a show. It's a rock n' roll concert.

Here's the funny thing: Nothing drives a performance like an audience that gives back and even takes over. ECW was a product that will be remembered as much, if not more, for its audience interaction as for the things that happened in the ring.

I play for the audience's pleasure. What I expect from them is not important; it's what they expect from me.

Doing the O2 Arena in London in 2011 was pretty awesome.

Our show is all about energy and all about the skill, so we never have to alter it for different audiences, although maybe we might get crazier at a punk-rock show. With kids moshing and crowd-surfing, we might have to get crazy as well.

Doing a festival in Hong Kong was special, looking out and seeing this massive crowd and the city.

There's nothing like sweating it up in a small club, with your fans right in your face.

We're really funny, focused, and we put on a great live show.

Every single performance of 'Fleabag,' I would learn so much from the audience reaction or how you could change it all the time, and I loved that sense that the performance is ever-growing and changing and could be affected by the audience.

I think our strongest suit is our live show.