Nicolas Ghesquiere Quotes

I really wanted to be a newspaper cartoonist, but nobody liked my work. I didn't have the control or flair that was necessary to create something that didn't look childish.

From the time I was 16 to really up until turning 21, the roles were really, really few and far between. I had people say that I just wasn't a good singer. They didn't know what to do with me; I would never fit in any markets. I almost quit acting altogether.

I used to submit to anthologies and magazines when I was a student - but I knew I was never going to be picked up.

We cuss them because we're not good enough for them. We hate them because they wouldn't look at us, couldn't be bothered to give us an interview. I guess there's a Trent & Brent in every city, in every field. I didn't make it and I don't belong, so I'll just go through life hating them.

The worst feeling in the world is giving a bad audition.

I used to be a chemical-engineering student, but I started studying acting, and I went for a cattle call, up against hundreds of people. They tore me down because I was too tall. They said "How tall are you?" "6'5"." "Next."

I am a failure as a writer. The publishers won't publish me, the bookshops won't carry my books, the critics won't write about me. I am excluded from all anthologies, and completely ignored.

In all my life I'd never been approached this way, the car pulling up, the Where you going? It was something I wish had happened hundreds of times. I was a looker - someone who looked over at every car at every traffic light, hoping something would happen, and almost never finding anyone looking back - always everyone looking forwards, and every time I felt stupid. Why should people look at you? Why should they care?

The plain fact is that she never really liked me, and never wanted me. I had been a mistake; and that, to some extent, is what I remain in my own eyes, to this day. The knowledge never goes, can never be undone. You just have to find a way to live with it.

When I was young, I expected from people more than they could give: neverending friendship and constant excitement. Now I expect less than they can actually can give: to stay close silently. And their feelings, friendship, noble deeds always seem like a miracle to me: a true grace.

Just because you have so much to give does not mean that they'll all be accepted. There's more to giving than just giving.

Comedy is frightening at first because you're opening yourself up. When it's just you and people hate it, you're like, "Oh God. Do they hate me?"

If I show somebody something that I've written and they say, "Eh...alright," I just put it away and I never show it to anyone again. But I know people who won't take no for an answer, and eventually someone pays attention.

There's nothing you could really avoid about giving yourself to somebody who ultimately rejects you. That's just life.

How painful it is to find that my figure can be of no help to my future... how painful to see it rejected on account of a slanderous suspicion!

It’s just … everything. There are too many people. And I don’t fit in. I don’t know how to be. Nothing that I’m good at is the sort of thing that matters there. Being smart doesn’t matter—and being good with words. And when those things do matter, it’s only because people want something from me. Not because they want me.

I'm a grown-up and I'm a creative person so I should try to give something to that and see what I can make with that. And not sit around listening to people be like, 'You really should be on an HBO show. You'd be great on an Amazon series.' You're like, 'Thank you, okay. I don't have any offers.'

I always say I'm not going to care this time, but I always do. Like, I did one this season called Tax Man with Martin Short, which was like, "Are you kidding me? Doing a pilot with Martin Short? Like, career high." And I just assumed, because it's Martin Short, like, "How are they not going to pick that up?" But they didn't.

I've always been interested in being in other people's movies. I never get any offers.

I used to come home at night full of inspiration, and sit up with a bottle of Scotch. As I wrote, the words seemed wonderful, just too wonderful to be coming from me. Next morning I always found they were terrible and I could never use anything I wrote.

I get nervous about press and about being rejected or disappointing myself.

People will tell you that writing is too difficult, that it's impossible to get your work published, that you might as well hang yourself. Meanwhile, they'll keep writing and you'll have hanged yourself.

I think a lot of people - by the time I came back with a script I liked, which took me many years, they'd forgotten who I was. Doors all the time are slamming, you meet friends that you've had for years, you'd go to the studio, and they'd say things to indicate clearly that they hadn't read it, or that they'd had their assistant sort of skim it. They wouldn't buy it. They wouldn't make it.

I feel like somebody just punched me in the stomach and knocked all my wind out. I'm only 30 years old and I want to have a chance to continue creating things. I know I've got at least one more great computer in me. And Apple is not going to give me a chance to do that.

It's such a capricious, strange existence, basing your life on the whims of others, and basing your ebbs and flows of confidence and lack of confidence on the fact that people either choose you or don't.