Tamara Mellon Quotes

The thing with film is that it's so wide-reaching compared to comedy. When I release my comedy special, half a million people will see it. If I release a movie, five to ten million people will see it.

There are obviously people who want to be very niche, but I think for the most part everybody is trying to reach a larger audience.

If you get half a million, at a certain stage you probably will get 4 million people, if they are able to hear it. The touring thing is unbelievable. It really is amazing from what we did the last tour even to what we are doing now.

A screen actor is compensated in the knowledge that millions will see his performance at one time, where only hundreds will see it on the stage.

As much as we love playing the small clubs, we'd really like to get ourselves in front of a larger audience. I'm not talking about arenas or anything, but nice theaters and larger clubs.

The vaster the audience, the more vulnerable the people watching the media.

I wanna cover more ground, get a bigger fan base.

I personally enjoy theatre, but preferably I do films so that I can reach up to maximum audience. If you want to give a serious message, it will reach out to maximum people through films. But through theatre, you can hardly reach out to about 3,000 audience at a time.

There's probably a way to use that great content and to live under the radar now and then in order to reach a new audience. That's the thinking I'm talking about.

I always tell younger filmmakers, it's not just about the acting or the art itself. It's about how big of an audience watches your film.

I'm not as surprised in going from playing 1,000 seats to 4,000 seats as I was from 100 to 500 seats.

You can make a feature that makes millions but only so many people see it. With a hit TV show, every week you'll have 16 million - 20 million people watching you.

I'm getting a wider circle of fans now. More women, more middle class people.

When you make work, your goal might not be first and foremost to have as many people as possible see it, but it might be more about honing your craft as a storyteller or making art, but, there's no doubt about it, you want lots of people to see it.

I know if I stopped hosting 'Wine Library TV,' we'd probably lose 75 percent of our audience, but the remaining 25 percent is still a big number.

One of the nice things about licensing music to movies or advertisements is you can reach a lot of people who normally wouldn't hear music.

Not every show needs to reach the same size of audience, or same width, of a 'Sopranos'.

Now in a way, money is money, and if it's going to increase our audience, that's fine.

All designers have a platform, an audience. Whether it's one or a million, it doesn't matter.

Hosting and surfacing legacy media content isn't all about YouTube trying to abandon its core, it's about inviting a broader variety of viewers to the platform.

Kerala is a small state, and Malayalam films are seen by only very few people. That doesn't bother me.

We always had one eye on doing Saturday night TV even when we were back doing mornings. That's where we wanted to go to get a bigger audience.

I wish I could calculate my way to a bigger audience, but I don't think I'm smart enough. Actually, I don't think anyone is smart enough. Most calculations along those lines fail.

You have a finite amount of people who watch at a certain time every day. But when you have that kind of success that 'Outnumbered Overtime' continues to have, it's gotta be a broader audience. I'm really thrilled about that.

Basically you want as many people as possible to see your movie.