Julie Andrews Quotes

I've always been really picky about roles and make a point of reminding myself that it's not about the money - because, obviously, there's a lot of money to be made in this business if you're willing to do anything.

I'll bet Shakespeare compromised himself a lot; anybody who's in the entertainment industry does to some extent.

I don't look at scripts in terms of commerciality. I just look at the part, the people involved.

I felt sometimes too responsible as an actor because people promote violence or weird things that I don't want to be part of.

I've always had, like, from the age of about 11, I've had such an intolerance for bad behaviour of actors that I don't think I was ever going to be that person.

If you've ever liked an artist or someone who then does something or is accused of something extremely corrupt, and your moral conscience won't allow you to accept that artist, the truth is then that creates a void in your life. Because then something you loved was taken from you.

When I was younger, I wondered if it was possible to be a good person and a writer.

I will not accept a role just because a big hero stars in it. I am not here to merely dance, run around trees, and be a glam doll.

When I was hired to write and direct a movie, my Christian duty suddenly became quite clear: My primary duty as a Christian in Hollywood is to do my job well.

I go by the content of the script and not the length of the role.

My conscience won't allow me to do films I thought were bad but were going to make money.

I choose roles according to my sensibilities.

My faith sometimes burdens me with the responsibility to think very deeply and long and hard about the choices I make creatively. There are projects I turn down because the material is too much a violation of what I believe. But that's true of anybody.

I think, don't you, that a girl with any delicacy of feeling couldn't bring herself to marry a man indirectly responsible for her father's death. No matter how much she was in love with him.

I find that I'm fighting to keep my energy and my passion centered on the work and not on "Will this get me an Oscar?" - which is the way people are starting to talk to me. I'm not interested in the way people are starting to talk to me. I'm not interested in looking at a role that way. That's not what I ever did, and it's not how I can continue to do my work.

If in the sex scene you happen to be naked in front of a lot of other people you've just got to put that aside, in the same way that you have to put that aside in a fully-clothed intense dialogue scene because you're entering into that particular imaginative state of play.

I felt like anything rather than rejoicing at the downfall of a foe who had fought so long and valiantly, and had suffered so much for a cause, though that cause was, I believe, one of the worst for which a people ever fought, and one for which there was the least excuse.

I wake up every day and think about what I am to other people. What I am to the people I employ, who depend on me to wake up and do my job that day and keep this career going? I think about what I am to the kids who listen to my music and all the other people involved in this project.

One has to completely humiliate oneself to be what the Beatles were . . . . It happened bit by bit, until . . . you're doing exactly what you don't want to do with people you can't stand -- the people you hated when you were ten.

Happiness does not come from a job. It comes from knowing what you truly value, and behaving in a way that’s consistent with those beliefs. Many people today resent the suggestion that they’re in charge of the way they feel.Those people are mistaken. That was a big lesson and I learned it several hundred times before it stuck. What you do, who you’re with, and how you feel about the world around you, is completely up to you.

Ordinary people, simply doing their jobs, and without any particular hostility on their part, can become agents in a terrible destructive process. Moreover, even when the destructive effects of their work become patently clear, and they are asked to carry out actions incompatible with fundamental standards of morality, relatively few people have the resources needed to resist authority.

When money enters in - then, for a price, I become a liar - and a good one I can be whether with pencil or subtle lighting or viewpoint. I hate it all, but so do I support not only my family, but my own work.

I’m not comfortable with the idea of my sex appeal, but I know in my job I have to use it. I wish I could say I got to this point in my career based on my talent, but I don’t think that’s true.

I've failed a million times on stage. I've listened to notes that I knew weren't right. I've pitched ideas and let other people change them, knowing that it was the wrong choice. The question you have to ask yourself is: How do you want to fail? Do you want to fail in a way that feels like it respects your tastes and value system?

When you're a professional you do your job no matter what gets in the way. You might take a sick day, you might take a personal day, but then you show back up or you won't get paid. Everyone develops his/her own strategy for dealing with days that are not productive.