Joel Hodgson Quotes

I don't want to be in somebody else's movie, and then they make all the money. I've gotten offers to do the movies, but I won't sell myself short and be in somebody else's movie, like 'Boyz N the Hood.' I don't think I woulda done that.

I am completely open to doing a romantic comedy, but I will never do something just for the sake of doing a specific genre or because it's the time or place to do a different type of movie. I think that would be a huge mistake.

I've always been really selective. I just didn't have the right to be as selective in other years, I guess. It's very difficult to commit so much of your life to go shoot something that you think sucks, so I'd rather do nothing than go work on something that I really hate. Obviously, there are moments where you have to take jobs for money, everybody needs to pay their rent or whatever.

I don't want to ever say to somebody, 'You don't have to see it. It's not good.' I'm done with that. I'd love to just do things that I respect. That being said, I do have two children to put through school, so we'll see if I can put my money where my mouth is, but I would love to just work with people I respect.

I would rather fall flat on my face than try to just make a quick dollar by making music that fits into the radio format right now. It does nothing for me.

There's a few movies I wanted to do, and I didn't get to do them partly because they wanted me to be part of the horse and pony show, getting the money, and I'm just not doing that. There's a few movies that people wanted me to do, but they were too safe.

I'll bet Shakespeare compromised himself a lot; anybody who's in the entertainment industry does to some extent.

If you want to capitulate to what commercial needs are, you can always be commercially valuable, but I'm not interested in being that.

As I became very defined in my personal politics, I turned down some films that I slightly regret now; I'm not going to say what they were.

A lot of times, people believe that until you're a certain-list actor, you say yes to everything; you're not allowed to say no. But early on, something went off in me, and if something didn't ring true for a myriad of reasons, I would say no and was fortunate enough to have people around me that were OK with that.

They say, 'We will give you money, but we want you to play this or that.' And I always thought, 'If I'm going to do that, I might as well go back and be a dishwasher.'

I don't want to do material that I don't like. I've always stuck to that policy. If that means being out of work for awhile, that's fine with me.

I don't think I ever really sold out, and that made a difference.

I don't see Hollywood as the big enemy, because this is where the money is, and not all of the companies are doing studio movies. I'm not tempted to sell out. If I'm going to become well known, I want it to be for something I'm proud of.

You had to change who you were to become famous. I thought that for a very long time. Even after signing a record deal, and then eventually getting my own recording company, Wonderland Records, I had to say no to a lot of opportunities to become well known. If it didn't align with my values and if it didn't support the image I had created for myself, I'd pass.

I think track records are very important. If you start early trying to have a perfect one in some simple thing like honesty, you're well on your way to success in this world.

There are hardly half a dozen writers in England today who have not sold out to the enemy. Even when their good work has been a success, Mammon grips them and whispers: More money for more work.

When money enters in - then, for a price, I become a liar - and a good one I can be whether with pencil or subtle lighting or viewpoint. I hate it all, but so do I support not only my family, but my own work.

If there's something good, then I'm going to want to work. If there's something that I feel like I'd be compromising myself on, then I'd pass.

At Pixar, I don't have to compromise at all. When I look at the finished "Toy Story 3," I don't sit and constantly think, oh, the actor was having a bad day, or oh, it rained and we couldn't use that set. The story that I wanted to tell is what is on screen, and I haven't had to compromise it one iota.

Overall, everyone has been respectful of my boundaries and my morals as a Christian and an artist. Sometimes I'll go to photo shoots, and they'll pull out some stuff that I'm not comfortable wearing, and I just tell them 'no'. I'm very glad God made me a person who's not afraid to say what I think. I can just go, 'No, I'm not going to wear that!'

It is difficult to retain your standards with the pressure of trying to make money, which always has its rules...It's hard to walk the tightrope of doing what you think is your best and making money at it.

You may sell your work, but not your soul.

Sometimes I decide not to make something because I am proud and think I am better than that - and then I realise I have to pay the rent and I have to take something which is even worse than all the other stuff they offer you because you were being so proud not to take it! But you adjust and sometimes for one reason or another there is no strategy at the end but there is the ability to do the best that you can with what you have.

Sometimes people think of actors as marionettes - everybody else makes the decisions for us - and, you know, really, making this decision [of which roles to take] is the only thing you lay claim to.