King Krule Quotes

As much as I love being a singer-songwriter, I love throwing down on stage and letting it all out.

When I made those wild-ass comments, on stage, about then-Senator Hillary Clinton and then-senator Barack Obama, I don't know if you can grasp the degree of adrenaline and intensity and sheer over-the-top animal spirit and attitude that I live on stage. I've got to take that deep breath.

Feeling emotionally connected to a song, and accumulating every bit of the moment's energy to sing out to the audience is what I believe makes a great performer.

Singing is just a feeling set to music.

I still get thrilled by the energy that is a live performance, the fear and the panic and the electricity that happens on the night. I think jolting myself every once in a while with that fear is a good thing for me.

When you are in the studio, you don't have anybody to feed off of; meanwhile, when you are playing live, you interact with people and you feel the energy in the room. When the crowd is going crazy, that definitely impacts your vocal performance. I prefer to sing live.

Not that I'm some rocker, but what I do in a show is probably far more aggressive than what Dean Martin or Bobby Darin ever did.

A singer for me is more like someone who is standing alone with a microphone like Scott Walker, rather than someone who is bashing a plank and is spitting all over a microphone.

If I feel physically as if the top of my head were taken off, I know that is poetry.

I love performing. The sounds coming at me are dynamic, colorful and multi-layered. The energy from the musicians around me and from the audience is a swirl of excitement. Sometimes, I can feel the stage vibrating under my feet.

Singing in front of people. It's like having your heart beat outside of you.

I love the energy that comes when I get on the mic. It keeps me creative and I love to hear what the fans want, what they love or hate about it.

When I write I consider it a rhyme. In the studio I consider it laying down vocals. Onstage, I'm entertaining; I don't even think about it.

My boyfriend's a musician, and I think when he's on stage is the only time he's not worrying. And so that's the reason he keeps doing it is because it gives him that sort of experience of weightlessness that I only get out of being sort of, deep into writing something or really lost in a moment on set, like it's available to me in these select moments through my work.

When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.

I love the feeling of letting fly, of pushing as far as I could go with my voice. The only way you can really graduate how you do it is by doing it regularly to people who don't have to be super impressed. You can do it in the studio all day long but you don't get the flashback that you get onstage.

Playing live is very exhausting, which is partly why I feel so tired today. But I've always wanted to live like that. I'd rather feel the experience than to be sort of feeling something in between and dull and numb. I love feeling the highs and the lows, it makes life far more exciting.

It's always been my dream to be on the stage with my band, singing my music. That's always been, and always will be.

When I'm on stage, I turn into this rock person. I give everything I have. I sing with emotion, I'm loving it up there, and I think there's a lot of energy. In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience too, so they're feeling what I'm feeling. And the set up is great - I have two drummers and a bass guy so it's just us four.

Live audiences love me because I'm singing and actually am able to f**k with people live over the mic.

It used to be embarrassing. In the beginning, because you listen to yourself so much, you think, I must look like an asshole right now - or sound like an asshole. And then, you just get to that point where you've done so many ridiculous, ridiculous things in the booth from screaming, to having orgasms, to whatever your director is asking you to do for this character, you just lose your inhibitions.

Honestly, live is my favorite way of performing. Every show is a completely different energy. With recording, it's not really as organic as it can be. But I feel like I'm a lot more fluid, and I can be a little bit more aggressive.

I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different ; there's more to act. There are more demands put on you, more experiences to go through.

I'm gonna keep singing and dancing as long as I can.

Then I felt something inside me break and music began to pour out into the quiet. My fingers danced; intricate and quick they spun something gossamer and tremulous into the circle of light our fire had made. The music moved like a spiderweb stirred by a gentle breath, it changed like a leaf twisting as it falls to the ground, and it felt like three years Waterside in Tarbean, with a hollowness inside you and hands that ached from the bitter cold.