Sir Mix-a-Lot Quotes

Everything I do comes from the clubs. If I lose that, I'm done.

I'm not necessarily that big of a clubbing junkie, but I really like dance music as a genre.

All the records I've made have pretty much been big club turntable records. You need to feel the rhythm.

The hype man's job is to get everybody out of their seats and on the dance floor to have a good time.

I was a clubber in the Nineties. I went dancing every week.

I used to go to rave parties, too, but I was never savvy with techno.

If anything, a lot of electronic music is music that no one listens to at home, hardly. It's really only to be heard when everyone's out enjoying it.

I am a disco king.

I wanted to make something that, from the sound of it, could be down at the club. I just realised that I'd never heard Tame Impala played somewhere with a dance floor or where people were dancing.

My music is designed to make a club go insane when it goes on.

The first record I ever danced to in a grown-up disco was Donna Summer's 'A Love Trilogy'. I danced for the full 15 minutes and I thought to myself, 'This is it, this is what it's all about.'

I have a pop sensibility, which I think comes from all those weekends spent in nightclubs.

Drake gets you bouncin'!

I focus all the way on the club. That's why my music sounds the way it does, with the 808, heavy kicks. Every aspect of it is about the club, so I don't really care about the person who's listening on an iPod.

My uncle, who gave me my first turntables when I was ten, also gave me records to mix, but I never understood house music. I thought it was boring until I was old enough to go to a club and feel it, the fact that it actually makes you just want to dance.

I want to make people dance, I want to make people smile, and I want my music to get played in clubs.

I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.

I've always enjoyed dancing and going clubbing. I've always been interested in electronic music. I would love more than anything to see my music mutate into something that would be played in clubs. For sure.

Party Rock' is something that is dear to my heart and my goal is to turn this planet into a 'Party Rock,' if you will.

As a producer and DJ, I just like makin' great music and hot records for the club.

My ballroom dancing skills are completely non-existent.

I like to dance disco.

I'm all about Ibiza, dance. I'm a bit of a Tulisa kid to be honest.

We tried to act trendy. We took one of our songs and tried to make a dance mix. They put it on the turntables, unannounced, in Los Angeles and New York the same weekend, where they had a big dance crowd going wild. It cleared the floor on both coasts.

To me, 'Alors On Danse' is the definition of clubbing. Because everyone is just trying to forget their problems, but actually, it's so sad, clubbing. We try to sell happiness in clubs, but you can't.