Jonny Greenwood Quotes

And I'm interested in writing music that takes risks. My point is that maybe the term EDM is pinned on me and my buddies, but maybe it'll be less so if I experiment.

We wanted to be like Radiohead. When they started experimenting with electronic music, it gave us the idea that it might be a cool idea to do.

We all like all of that, from 'Rubber Soul' to 'The White Album' and all of that, but even before, we were into that theatrical element of things. We didn't want to do a 'Sgt. Pepper's' thing.

People from the rock and roll world have felt for years that electronic music had no soul, but now electronic music can not only have soul but have all the shapes in the world.

I was sick of fast, aggressive music; I felt like I needed to make a poppy thing. But, right now, I feel like I need to make a Hawkwind/Sabbath record. It gets boring if you just do the same thing all the time.

I love finding out-of-the-box inspirations and blending them with what I've done in the past. And when I started to experiment with genres, it didn't sound forced. Maybe that's because it's all music that I listened to growing up, and it's all music that I love.

The reflection of the world is blues, that's where that part of the music is at. Then you got this other kind of music that's tryin' to come around.

My mother's records were formative for me, but when I became a teenager, I wanted to find songs that she wasn't hip to. She was so hip, though, that I had to go outside rock n' roll - so for about 10 years, I only listened to hip-hop, house and techno.

I would never say I will stay in electronic music for the rest of my life. I will always do whatever I feel like at that moment.

Progressive music probably wouldn't even really exist if not for the people of the United States having picked up on it and nurtured it in the way they did. It really is an American form of music in the sense that it was nurtured here. So it belongs here. It has become part of the fabric of American musical culture.

I think every once in a while country has lost its way, but found its way back. It's always going to drift away from the traditional side, but then find a way to return. There's room for all kinds of influences be it pop, blues, gospel or whatever. But I will always say that I think we need more traditional country music coming down the pike.

There's a lot of music at my fingertips that I can be influenced by. And just because I play a horn, I don't need to sound, or try to capture, what was happening before me. I can just respect it and learn from it.

The whole path of American music has been so much about the recognition of stylistic diversity, and the recognition of the importance of music which was from one of the vernacular traditions.

Music was segregated in the '80s, and then in the '90s the boundaries started to break down, and rock kids got into electronic music. But then you got this reverse snobbery where people would only listen to electronic music and not rock.

In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.

We deliberately used elements from Brazilian music and from African and Asian music. Now people can hear that but then it sounded so abstract, they couldn't hear it.

I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.

One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.

Although my music is electronic, it has a lot of influences from my past, which is all sorts of genres; I've been in a rock-metal band for a long time, and I still feel like, personally, I have a lot of influence from that. My classical influence, you can find spots here and there.

If we look at music history closely, it is not difficult to isolate certain elements of great potency which were to nourish the art of music for decades, if not centuries.

If you got in my truck, you were listening to country music, and that's the way it was for a long time. I'm a little more open to other sources of music now, a lot more. But for the formative years, I was just very into country.

There's a lot for us to achieve and a lot more music to explore. I'm not saying we want to start doing experimental prog or something, where it turns into elevator music after a few records, but I don't think we've even scratched the surface.

I'm a rapper and, obviously, hip hop rap is my main thing. But I also like to dive into different genres and kind of be a bit more experimental and open myself up a bit, whether that's taking influence from jazz or soul or electronic.

Musically, my palette is eclectic.

I grew up listening to everything. I was in rock n' roll bands and punk bands, and I loved bluegrass and country music, too. Then, when I moved to Nashville, I put out a very traditional country record because that's just what you do. I had a bunch of very traditional country songs. Next thing you know, you're a country singer.