Chuck Klosterman Quotes

I see that you believe in love such as the poets and romancers have represented... The poets represent love as the sculptors design beauty, as the musicians create melody; that is to say, endowed with an exquisite nervous organization, they gather up with discerning ardor the purest elements of life, the most beautiful lines of matter, and the most harmonious voices of nature.... To try to find in real life such love as this, eternal and absolute, is the same thing as to seek on the public squares such a woman as Venus or to expect nightingales to sing the symphonies of Beethoven.

That's your problem! You don't want to be in love. You want to be in love in a movie.

I love movies, but I think people think relationships are supposed to go how they go in movies. The ones I like are the ones that represent life.

Culturally even, you have shows like 'Friends' or 'Sex in the City' that are imbibed along with like fairy stories, which are all about The One. Then we feel like we're looking for it, and if relationships end, what we've experienced isn't valid.

When you're in love, you're asking someone else to fulfill all your unfulfilled needs, to make you whole, and to make you feel good about everything, and no one can do that.

And what's romance? Usually, a nice little tale where you have everything As You Like It, where rain never wets your jacket and gnats never bite your nose and it's always daisy-time.

I'm aware of how pop culture really infiltrates your expectations in a way that even if you think you're savvy about pop culture, it's so hard not to have these expectations of what a relationship should be. So I constantly feel like I have to bat those expectations down.

You cannot be in love with love.

It's the great male fantasy-all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know-this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want princes, but boys want their princesses just as much.

So to compare your real life, or your partner or lover or whoever to a character in a movie, you're setting yourself up for disappointment. They don't map.

I feel like, when we're kids, you're sold into this fairy tale of what love is. That Prince Charming's gonna come along and save you and you're gonna live happily ever after. They're gonna rescue me from the Bronx, and we're gonna go off and live in a castle somewhere and it's gonna be awesome. He's gonna love me forever, and I'm gonna love him forever, and it's gonna be real easy. And it's so different than that.

I read and I read; and I was like a medieval king, I had fallen in love with the picture long before I saw the reality.

The chords in 'Light My Fire' are based on [John] Coltrane's version of this song. He just solos over A minor and B minor, which is exactly what we did. Coltrane had played with Miles on Kind of Blue and took the idea of modal soloing over one or two chords farther out than anybody. He was a real pioneer - he just kept evolving, going where no one had ever gone. He could always attain this state of ecstasy when he played. Live, there was so much energy, you couldn't believe it. He would play for hours. It was indescribable.

Moons and Junes and Ferris wheels The dizzy dancing way you feel As every fairy tale comes real I've looked at love that way.

You're every love song ever written.

I look at people holdings hands in the hallways, and I try to think how it all works. At the school dances, I sit in the background, and I tap my toe, and I wonder how many couples will dance to ‘their song.’ In the hallways, I see the girls wearing the guys’ jackets, and I think about the idea of property. And I wonder if anyone is really happy.

I have a history of making decisions very quickly about men. I have always fallen in love fast and without measuring risks. I have a tendency not only to see the best in everyone, but to assume that everyone is emotionally capable of reaching his highest potential. I have fallen in love more times than I care to count with the highest potential of a man, rather than with the man himself, and I have hung on to the relationship for a long time (sometimes far too long) waiting for the man to ascend to his own greatness. Many times in romance I have been a victim of my own optimism.

courting is for those who have not declared their love for one another- should not be considered a task.

I don't really date. I have a weird vision of relationships because my parents have known each other since second grade, and they got married right out of college. I've always thought that's what it's supposed to be like, and if it's not, then I don't want to waste my time on it. Even when I was 14, I was like, 'I'm not gonna marry this person. What's the point of doing it?' It's not me being naive. I just know what it's supposed to be like, and I think until I feel that, I cannot be bothered.

I've never known before what it feels like to want someone - not to want to hook up with them or whatever, but to want them, to want them. And now I do. So maybe I do believe in epiphanies.

He is everything, everything, everything I ever admired and wanted and couldn't have. He is everything I needed and couldn't find in real life. Of course he is. That's why I invented him.

Before her marriage she had thought that she had love within her grasp; but since the happiness which she had expected this love to bring her hadn’t come, she supposed she must have been mistaken. And Emma tried to imagine just what was meant, in life, by the words “bliss,” “passion,” and “rapture” - words that had seemed so beautiful to her in books.

We fall in love with one version of someone and we expect them to stay that way, but they never do.

I could hardly get a boy to look at me. All right, they'd look, they'd even take me out, but no one asked for a second date. I was too nasty, a real wise guy, and all the boys could tell what my rotten disposition was. Deep down, I wanted a commitment with a capital C. To get anywhere with me, a boy would have to sign his undying loyalty with his own blood.