Kenneth Koch Quotes
Certainly, it seems true enough that there's a good deal of irony in the world... I mean, if you live in a world full of politicians and advertising, there's obviously a lot of deception.
Kennedy, David. "An Interview with Kenneth Koch." Jacket, no. 15, Aug. 2001.
He was parodying Lincoln’s famous quotation: {609284}.
Alsop, a political hawk was convinced, as many other right wingers were at the time that the Russians had forged ahead of us in offensive missiles. When he asked President Eisenhower, the President never denied it, but never went to Congress to ask for more money to close the “missile gap”. Alsop made this shocking accusation which offended many Americans, but pleased the ultra-hawks and anti-communists. Most of the nation however then believed that there was a missile gap, with varying explanations of Eisenhower’s silence on the matter. Two years later John F. Kennedy, used the “missile gap” when running in 1960 against Nixon by attacking Nixon and Eisenhower for allowing us to fall behind the Russians at have a missile gap. When Kennedy became President, he was very surprised that there was no missile gap favoring the Russians—it was favoring the United States. Eisenhower did not want the Russians to know that he knew exactly what they were producing and deploying in missiles through great espionage sources. By not saying anything in the face of the accusations, the Russians assumed that the Americans really thought that they had more capacity than they did. And Eisenhower wanted that so that they would be secure that the United States had no real knowledge of their missile capacity. If Eisenhower had actually told the nation that the Russians were really behind us, the Russians would suspect a security leak and our sources could be compromised.
Kenneth Koch was an American poet, playwright, and professor, active from the 1950s until his death at age 77. He was a prominent poet of the New York School of poetry. This was a loose group of poets including Frank O'Hara and John Ashbery that eschewed contemporary introspective poetry in favor of an exuberant, cosmopolitan style that drew major inspiration from travel, painting, and music.
