Meg Wolitzer Quotes

One of the best things about Kickstarter and crowdfunding and the collapse of the music business is a lot of artists like me have been forced to face our own weird mess about ourselves and what we thought it meant to become musicians.

Some people think or expect that you should make the same kinds of art forever because it creates a convenient narrative... I want my work to embody my inherent contradictions.

I don't think I would ever be a doctor, but the reason I majored in science was because you could become a civil engineer, you could become a biologist, you could become a computer scientist - that was the point of it. I had no idea what I wanted to do. In my last two years of high school here happened to be these few scripts that I really responded to. Eventually, I landed the job, and that was something that I felt transcended whatever other people would think of me.

It is precisely those artists and writers who are most inclined to think of their art as the manifestation of their personality who are in fact the most in bondage to public taste.

I had no idea about where I was going. I had no sense of art as anything other than a problem to be fixed, you know, an itch to be scratched. I was in that studio trying my best to feel content with myself. I had, like, a stipend. I had a place to sleep. I had a studio to work in. I had nothing else to think about, you know. And that's - that was a huge luxury in New York City.

I thought I might have to give up art, but I couldn't think of anything else to do.

A lot of people thought I got famous as a studio artist, then decided to cash in on it. But it actually was just a matter of survival for many years, and I felt it was really important for me to be able to say whatever I wanted with my street art and fine art.

I think it's bad for human beings to be artists. It's awful. You want to do something but you're constantly trying to decide what you want to do. Let's just say it's no place like Hawaii.

It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.

I don't mean to give performance art a bad name or anything; I think there are people that are legit. I think I just got frustrated painting - I love painting; I actually tried to be an artist, but it's sensitive, and then you have an object. And what do you do with that object? And then repeat and repeat, blah blah blah.

You’re getting rid of the things that people used to think were essential to art. But that reduction is only incidental. I object to the whole reduction idea…if my work is reductionist it’s because it doesn’t have the elements that people thought should be there. But it has other elements I like.

I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.

I think there's always an expectation when you're a first generation, especially a first-generation Nigerian, of sort of being a doctor or a lawyer or an engineer. And so, you know, sort of my initial pursuits into the arts and that I was going to pursue film as a career didn't confuse them, but it was definitely something that they were scared about.

I don't think of myself as making art. I do what I do because I want to, because painting is the best way I've found to get along with myself.

Art never expresses anything but itself.

Well, life isn't a cakewalk, is it?! Eighty-nine percent of the world's most valuable art was created by men living in rat-infested flats. You think Velásquez wore Adidas? You think he enjoyed the luxuries of central heating and twenty-four-hour pizza delivery?!

I'd like to rid myself of writing, to surrender, to release the venom. And hopefully at some point, I'll be a happy, well-adjusted guy and I'll have no need for all that 'art.'

It's kind of depressing when you hear the anti-science rhetoric in America, but I think that people are just afraid of change, and I think they're afraid of disruption, and I think they're afraid of the feeling that the rug is being pulled from underneath their feet. People are used to things changing maybe over many generations, but they're not used to seeing things change within their own lifetime. The problem is people are going to college and graduating, and realizing that their major is obsolete.

Since poetry is infinitely valuable, I do not understand why it should be more valuable than this or that which is also infinitelyvaluable. There are artists who perhaps do not think art to be too great, for this is impossible, and yet they are not free enough to be able to rise above their own best accomplishments.

I'm not sure that an art career would have any benefit for me; I'm not sure it's what I want. I don't think I want to be a designer-rock artist.

Good or bad, the one thing I can say about my art is, if I can quote Sinatra, I did it my way.

Anything was better than going to work. All those early tours before we made any money were more like vacations. I don't think it was until 2001 that we pulled our heads out of the sand and were like, "What are we doing?" I don't think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we're in Baltimore trying to figure out what to do with ourselves.

I never worry about what they think about me. Because I feel so far away from what my Italian colleagues have done that I almost automatically become an isolated director.

We're obviously not a platinum-selling band, and yet we've managed to maintain a career on a major label through all this time, and I think we always felt like we were, to a certain degree, infiltrators there. And it's been an interesting thing. It's all been like a big art project for us.

So far as I am concerned, poetry and every other art was, is, and forever will be strictly and distinctly a question of individuality.