Glenn Danzig Quotes

Because I'm not in a record deal, I don't have to operate in an album format.

I'm not really rocking with mixtapes no more. EPs and albums - that's it.

It would be really nice to be able to put out releases that wouldn't be conditional upon an album format, and just put out music in different ways.

I'm sure the music is going to come out. I'm not sure if I'm going to put out 12"s or put the songs on my website. I just have to get them done.

Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America.

Um, well, I made a new CD called 'Dream With Me' and it's out now, and I'm really excited about it.

So, I don't know what is going to happen when the CD comes out, how well it will sell, etc. But, from a personal point of view, it was a very worthwhile endeavor.

I'm releasing a single. It's called 'Live it Up.' It was based on my Euro trip. I only write my own music. I don't let other people write it at all. So I've been working on that a lot. There's three singles coming out. The producer of The Fray who did their double-platinum album 'How to Save a Life,' I'm working with him. He's producing me.

DUST includes rarities, demos, unreleased songs and instrumentals, live recordings, and more.

I make a lot of pieces of music that I never release as CDs.

I'm a huge Joe Nichols fan, and he put this song out an album called 'Real Things.' I was excited for Joe when I heard it, thinking 'that will easily be Joe Nichols' career song.' I was even more excited when they got out of that album and they never released it as a single, because then I was like, 'Now that's gonna be my career single.'

In the middle of 'Bleed Red' coming out, a huge disproportionate majority of people in radio came to us and asked if they could have 'Cost of Livin' as a single. There was even talk behind closed doors about pulling 'Bleed Red' because they had caught wind and heard 'Cost of Livin'.' We went with that.

It's nice to finally have a CD out which reflects my songwriting, my singing and the band that I have.

I made a record of montage sounds in '99 under the name Korena Pang, but it was never put out because it didn't do it for me.

I think from an artist standpoint, you have to put out music that you feel like represents you and things you feel like your crowd wants to hear. And if that drives them to go and download the album or the single, that's what we want.

People are scrambling to figure out how they can prolong the life of an album. But as long as the shelf space continues to shrink at retail, there's just no room for them anymore... which is fine with me! I would love to be the next person in country to just release digital singles, but I think we're probably a little ways from that.

Having a first single is such a great opportunity for any artist... I'm very appreciative of the support country radio's given 'Could It Be.'

Even at the last minute we were still debating what was gonna be released as the first single.

I have 'Purple Rain' on purple vinyl.

I have a lot of compact discs. I need them for radio play and convenience. Many bands and artists I am a fan of don't always release their work on vinyl, so I take what they feel like giving me.

I enjoy putting out singles.

The album's not dead for me; I still buy vinyl albums.

I would say that the Nipsey Hussle 'Crenshaw' release was an example of All Money In creating an artificial scarcity campaign for the physical side of 'Crenshaw.'

Four months after we released 'I Don't Want to Be Funny Anymore,' the album came out on EggHunt. Three months after that, we officially signed with Matador. That's not a very long time: half a year between the first flood and the final signing.

When you release a single like 'My Friends Over You,' people just think you have one kind of song.