Mercedes Lackey Quotes

Being a screenwriter for a comedy, you're writing for characters in them in their voice. I could write anyone.

There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.

I ended up [doing video] meeting Gillian [Grassie] at the same time that we were getting together a book. We ended up working on it, and she recognized that I had a flair for certain things, and we've worked through it together so that the writing could be really good. It was the perfect partnership, just finding my literary voice and figuring out how comedy translates to the written word.

I love comedy. I suppose comedy is my first love, in a way. I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices. Probably about 3/4 of those were comedic, in some way, and the other 1/4 was more serious stuff or more action or more dramatic little pieces that I would make. But, I tend to lean towards comedy.

Every time I wrote a sketch that was in my voice, Ferrell would just do it better.

For it is the fate of a woman Long to be patient and silent, to wait like a ghost that is speechless, Till some questioning voice dissolves the spell of its silence. Hence is the inner life of so many suffering women Sunless and silent and deep, like subterranean rivers Runnng through caverns of darkness.

As things have progressed and I've gotten older, I've gotten more and more involved on the producing side. It's been a natural progression. The more you become exposed in a particular medium, the more you can bring to the table and people start trusting you. You're valued a little bit more, so you have more of a voice. It's something I would like to do, through the rest of my career.

Sure you can manage that broom, Potter?" said a cold, drawling voice. Draco Malfoy had arrived for a closer look, Crabbe and Goyle right behind him. "Yeah, reckon so," said Harry casually. "Got plenty of special features, hasn't it?" said Malfoy, eyes glittering maliciously. "Shame it doesn't come with a parachute - in case you get too near a Dementor." Crabbe and Goyle sniggered. "Pity you can't attach an extra arm to yours, Malfoy," said Harry. "Then it could catch the Snitch for you.

I never pretended to have a great voice. It works and I can carry a tune. If you have a good song, that's about all that's required.

Once you train you develop your own aesthetic and your confidence. So, I think as I grow I'm learning how to be a singer. I'm training my voice and being on stage and singing and dancing.

I would take songs that I'd loved as a child and redo them in my mind for the new voice I had, the low voice.

Live a vital life. If you live well, you will earn well. If you live well, it will show in your face; it will show in the texture of your voice. There will be something unique and magical about you if you live well. It will infuse not only your personal life but also your business life. And it will give you a vitality nothing else can give.

My blood is alive with many voices telling me I am made of longing.

The work is the work. The work is not me. I like the anonymity that directors can have about their films. Even though it's my voice, I'm a storyteller.

Nick spoke for the first time. "Can I go to the nurse's office too?" Ms. Popplewell looked at him It obviously took her only one look to decide. "No." "I'm traumatized too," Nick claimed, his voice completely flat. "He's a delicate flower," Alan said under his breath.

God is not the voice in the whirlwind, God is the whirlwind.

Their voices reach out into the empty yard, plunge deep into the hills, go right through the heart.

As you get older, your voice changes, as well. Your voice should be able to last as long as you last.

Don't take voice lessons. Do it your way.

If you want a significant man, with absolutes, morality, and meaning, then you must have what the Bible insists upon - that God will judge men justly, and they will not be able to raise their voices because of the base upon which He judges them.

I try to take what voice I have and I give it to those who don’t have one at all.

People say, well, do you ever hear any other voices other than, like, a few people? Of course I do.

You cannot let a fear of failure or a fear of comparison or a fear of judgment stop you from doing what’s going to make you great. You cannot succeed without this risk of failure. You cannot have a voice without the risk of criticism and you cannot love without the risk of loss.

There are some songs we do, like "Last Chance," I love it! But sometimes you just don't like your voice on certain things.