Marina and the Diamonds Quotes

Living abroad has heightened my interest in how foreigners regard the strange places we encounter.

My sister and I visited Iceland in 2001, and I incorporated it into 'Pretty Little Liars.'

I hear some new artists that sound country but the record labels and country radio lean more toward a more rock feel for what gets signed to a label and played on the radio.

Record industry's not so much against artists, but certain people are just wicked people that sit up in the industry who go against the artist. The thing is, if you're in the recording business, where's our health benefits? Where's the royalties from when you put stuff on labels in different countries? And now, with all these 500 cable channels, you want your mechanical royalties, your licensing. There's so much technology that you've got to stay on top. They always try to tell you, "Oh, don't worry about the business side, just do the music."

I wasn't a club kid. I wasn't an artist. I was just a foreigner, trying to soak it all up. I had quite a lot of fun.

Let's be honest. We don't take rap serious the way other cultures take rock-n-roll, they take country. They artists are being loved.

Now, [hip-hop/grime artists] Stormzy, Skepta, or the Section Boyz have to be validated by Drake, Rihanna or Beyoncé. They're rolled into this one urban culture bubble; it's not really to do with, "I'm specifically f - ked off about my country and what's going on in my town." We're very much only showing success to artists who impress American artists, and I'm one of them.

There is a political and racial context behind everything that I do. Not always because I design it that way, or because I want it that way, but rather because it's just the way people look at the work of an African-American artist in this country.

I'm not sure how we exist, as an artist, without country radio.

I've worked with everyone from Ice Cube to Snoop Dogg ... right across to working with pop stars like Justin Timberlake. Why those artists came to me is because they wanted my sound.

A great way to learn about your country is to leave it.

I was so overwhelmed by India when I first came - it still inspires me because I still go for the culture, I still go for the colors.

I feel my job as an artist is to drive people to country radio. That's my job as a country artist. So these streaming places, especially these on-demand streaming places, where you can just push a button and hear it as many times as you want, like YouTube, any of that stuff, that's taking all the ears away from country radio.

I saw the Ramones, early on at a country-rock palace in Denver. They were opening for some record-company band, so the local music establishment, and I emphasize the word "establishment," was there in force, and the handful of us who knew the Ramones were up in front. And half the fun was, you know, not only were the Ramones the most powerful band I had ever seen at that point, but they made it look so simple - that anyone could do it, hell, even I could do it. This is what I should be doing.

That generation really has to fight for a new political language, social movements, and alliances with students from other countries. They have to convince labor, parents, and the general public that the fight over higher education is a fight that benefits everyone in a sustainable democracy and not just faculty and students.

I don't know if I was as ambitious as to change the world, but I do feel like - the reason why I called the album "Our Version of Events" was that I feel a lot of people are not represented in pop music and popular culture.

Most artists should be able to make the album that they want. You don't necessarily pick the singles that you want when you're making a record, but for the most part it's the same process.

Radio is so cutthroat, but I do feel like the music industry is structured so differently than it used to be. I'm amazed and in awe of artists who can build a parallel universe that's so big and clearly defined that the mainstream finally has to pay attention.

In 10 years, this sleepy Canada will be ripe for annexation - the farmers in Manitoba, etc., will demand it themselves. Besides, the country is half annexed already socially - hotels, newspapers, advertising, etc., all on the American pattern.

It is a complete embarrassment and literally shameful that the country that first of all invented environmentalism and gave it to the world, and second of all did all the science originally around climate and global warming and presented that to the world, has been the country that has refused to participate in a constructive way to the solution.

Kurt Cobain represents a very legit, realistic outlook. Before that, in my head, to be a white artist was to be privileged.

If you watch the award shows, you'll see variations of the hammer pants. It's always cool to see that and then every now and then, you'll see an artist who's pushing the envelope and it may not be all the way there but you can see where it's coming from. I'm always appreciative of seeing my influence.

No university ought to be merely a national institution....The universities should have their common ideals, they should have their common obligations toward each other. They should be independent of the governments of the countries in which they are situated. They should not be institutions for the training of an efficient bureaucracy, or for equipping scientists to get the better of foreign scientists; they should stand for the preservation of learning, for the pursuit of truth, and in so far as men are capable of it, the attainment of wisdom.

Malcolm X is a person who has inspired - he has been the muse of several generations of black cultural workers, artists, poets, playwrights.