Glenn Danzig Quotes

If you're directing, it doesn't really matter any more if it's going straight to TV - what matters is whether you have the resources to make a story that moves you.

It is not possible to spend on one thing and then not have consequences on something else.

I think there's only one or two films where I've had all the financial support I needed. All the rest, I wish I'd had the money to shoot another ten days.

All of the stuff I can't afford to do on a TV budget, I just put into the comic book because you're really only limited in a comic by your artist's imagination.

Most filmmakers can't afford to try something out that doesn't work.

It's always the organizations that are resource constrained that come up with the good ideas to win.

If Poindexter made a comment to me like that, it would have been in the context of once the authorized program is approved there would be no point in having any of these private benefactors any longer.

It quite often happens that they attach a name to a project and it doesn't get all the financing it needs.

I'm not going to deprive my constituents of money that's out there.

Because the resources available to the U. S. military will be increasingly limited, the objectives must be too.

We are putting so much money into retirement benefits that there is little money left for other state services

'Generation Kill' was not a very glamorous shoot. For all intents and purposes, it was low budget, and all the money they had went to what you see on the screen.

For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had.

If you look at the question of expenditure in Iraq, you have got to start from the one fundamental truth: that every request that the military commanders made to us for equipment was answered. No request was ever turned down.

I always cooperate to complete a film within the budget. Not a single film of mine has overshot its budget.

Starting a business from scratch and having little money in the bank focuses your mind in a way that running a multibillion-dollar business never does. It brings the key drivers of performance into sharp relief. I promise.

We need to address significant funding gaps when it comes to implementing the SDGs.

The further you go on the show, the larger the budget gets. But in the beginning they were just like, "Here's a hundred bucks in L.A. Good luck."

Everybody who's making the movies needs to work hard to make sure they're good. And if you don't show up and see the movies and support them financially, no one is going to make them. It's going to change unless it makes money. That's the long and short of it. You have to give in to the fact that it's a business.

Because we were a poor area, the school had a small budget and was unable to teach the second half of the alphabet.

In terms of how [Allied] looks, it's fantastic and much better than I had hoped because it's so lush and so beautifully executed.

Magicians are the people who began to use film as an illusion on stage.

It is an interesting balance in trying to find players to make your team really good and at the same time running a financially sound operation. That is the challenge for every team.

No one ever has the resources they need.

We are improving the entirety of the system. You have got to make the grants available.