Hilary Hahn Quotes

Every time I work with Dr. Luke I learn something new. He's kind of like the Andy Warhol of pop music, where he mass produces his art but it always still has heart and always still has an emotional thread to it. I think he's really a genius and I'm so lucky to have gotten to work with him.

I haven't heard anything so great for a long time; Beethoven snaps his fingers at the whole world.

Mozart had a tremendously fertile and creative ear for a catchy tune.

Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.

To understand Mozart's contradictory qualities would indeed be to understand genius.

The Beatles were great, but Beethoven and Mozart were phenomenal. Both will be remembered for centuries, but it will always be clear which were most in touch with the soul of humanity.

Bach in general was so good with the violin. He just finds the genius way around his music on the instrument.

When you're a kid, Beethoven is Beethoven, but as I've grown older, my astonishment at the sheer inventiveness of the man has increased, and I have an appreciation that I didn't have when I was in my 20s.

I think there are a lot of similarities between writing and music. Music is much more direct and much more emotional and that's the level I want to be at when I'm writing. Writing is much more intellectual and indirect and abstract, in a way.

I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach. I really can’t think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than that — its humanity.

The novelist is the person who spends a lot of his or her day thinking about the human drama and emotional complexity.

I think the emotional toolbox I have is healthy for an actor, as far as the intensity of emotions go. It's other things I have to hone. I can swim in that comfortably.

If we look at the works of JS Bach ... on each page we discover things which we thought were born only yesterday, from delightful arabesques to an overflowing of religious feeling greater than anything we have since discovered.

For me, I like to show what guys are like when no one is looking and how we really are, and that we can be emotional and have these emotional lives. I think it would be great to do a film where we see some females and what's going on there when we're not around.

I tend to go against the grain because when I start to see that everybody's trying to shock, I try not to. I just do stuff that's subtler, more emotional, and I think that shocks people.

Mozart, who was buried in a pauper’s grave, was one of the greatest successes we know of, a man who in his early thirties had poured out his inexhaustible gift of music, leaving the world richer because he had passed that way. To leave the world richer—that is the ultimate success.

Levity, you need levity to feel anything. You need to laugh before you cry. I think films that take themselves too seriously without any levity are missing an important ingredient to the potential emotional impact of their stories.

I think Yelena Akhtiorskaya is a genius. What she manages to do, linguistically and emotionally, in the span of a single sentence, is astonishing.

I knew it was going to be important that if I had an audience understand who she was, then all those things had to come from a place that was grounded, as opposed to being tics and manners and twitches. I didn't think it was going to be as rich, perhaps, as if I was going to make it more emotional.

I think the book is less emotional than the film. With the film, the emotions are much more raw and in front. In the book, they are kind of ironized and seen through comedy.

I think that both musicals and opera have a capacity to get to an inner emotional landscape.

I feel like being nerd is not about the superficial quality; it's about how nerds approach life. It's much more emotional and mental than it is you're some fat guy living in your mom's basement, which I think is just a hacky stereotype.

Everybody's a multifaceted, emotional, living being, I think. Sometimes it's fun to goof around, sometimes you've got to think about things, sometimes you've got to be strange, and then you've got to be jiggly. That's just what being a human's all about.

I think one's art goes as far and as deep as one's love goes. I see no reason for painting but that. If I have anything to offer, it is my emotional contact with the place where I live and the people I do.

I think doing love scenes is never easy without a strong emotional background.