Kate Bernheimer Quotes

Well, Company of Wolves was about that literally, about fairy tales.

Being a literature major, you know, I'm very familiar with the ways symbolism is used in our sort of mythic tales of society, so anyone who is consciously trying to pull that off I think is really interesting and clearly very smart.

Fairy tales and folk tales are part of the DNA of all stories and great fun to write.

Fairytales were maps formed of blood and hair and bones; they were the knots of the sub-conscious unwound. Every word in every tale was real and as true as apples and stones. They all led to the story inside the story.

I remember that the day I finished 'The Angels,' part three of 'The Book of Laughter and Forgetting', I was terribly proud of myself. I was sure that I had discovered the key to a new way of putting together a narrative.

I see 'Hansel and Gretel' as a breakthrough book for me, and one of the reasons is because I started to apply meaning to the hidden details.

I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.

It wasn't until I was an adult reader that I began to fathom the influence of fairy tales on writers I was in love with over the years, from Louisa May Alcott to Bernard Malamud to John Cheever to Anne Frank to Joy Williams.

Truth may be stranger than fiction on a plot and narrative basis, but fiction can investigate tone in a way that things based on a true story can't.

Literature could be said to be a sort of disciplined technique for arousing certain emotions.

I dislike Allegory - the conscious and intentional allegory - yet any attempt to explain the purport of myth or fairytale must use allegorical language.

Recasting fairy tales has become a publishing sub-genre in itself, and has been done both well and to the point of entropy. More interesting are those works where the structures of fairytales are abandoned but the world of 'fairy' is imported as a delicate spice.

The thing is, fairytales were once a very gritty way for people to dialogue about aspects of life.

I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.

I've tried to show in my most recent book, the 'Irresistible Fairytale', that in order to talk about any genre, particularly what we call simple genre - a myth, a legend, an anecdote, a tall tale, and so on - we really have to understand something about the origin of stories all together.

If you read the fables, 'Beowulf,' for example, you will know something about the person who writes them, and I like that. Secondly, they will not be about individuals; they will be about community. Thirdly, they're all about moralizing. Fourthly, the way they express themselves takes its tone from the oral tradition.

Fairy tales, because they have a very clear structure, are easier to interfere with. Also they have this really weird logic: the kind of logic that you only really experience when you're not feeling very well, or as a child.

A myth is far truer than a history, for a history only gives a story of the shadows, whereas a myth gives a story of the substances that cast the shadows.

I feel like reading really defined me as a writer because I lived my life outside of my own body for so much of my life and I loved it. I've always been a reader. I think living all those stories served me to naturally take that next step to creating.

Ray Bradbury taught me the importance of metaphor and simile and poetic style.

I think writing and reading are completely synergistic; not necessarily in that one has to be a good reader to be a good writer or vice versa, but that they so inform each other.

I'm very much a word-centric writer, and that comes from the literature and the reading that I did as kid and also the films and mythology and stories.

Some truths are expressed best in the form of myth.

They [Fairy Tales] are talking about real emotions, telling true stories, through the medium of metaphor. People used to understand metaphor better than I think we do now. But these stories are so potent, they refuse to die.

But all fairytales have rules, and perhaps it’s their rules that actually distinguish one fairytale from the other. These rules never need to be understood. They only need to be followed. If not, what they promise won’t come true.