David Krumholtz Quotes

If the character is true, the movie will fall into place. Or at least that's what you hope.

The division needs a guy like me. It's a bunch of good guys, and I'm the only bad guy in the division. There always has to be a bad guy in every movie.

Everything is so funny in the movie. The funniest thing about the movie is the transformations they were able to make with the characters.

I just thought it could make a really cool movie. It's not that it's just a buddy comedy but it's all about two guys hating each other and towards the end they're good friends. I liked that these two guys were best friends from the very beginning, and they're crazy.

Every once in a while I go off to do a movie or a television series and I take my art with me. I can stay in character when I paint.

I wasn't a kid who moved out from Iowa with aspirations of becoming a famous star - I was intrigued by the idea of filmmaking and by the idea of what it would be like to play a character in a movie.

Well, obviously I was excited by the idea that Woody Allen was going to direct it. But at the same time, the script itself and the character was really interesting.

For me, when I'm making a movie I like to stay in character throughout the day.

The script is a blueprint for the film - there are very few bad scripts that make good movies. If you really like the character and understand the utility it serves within the movie, that's a part of my process.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

I would love to play a Bond Girl one day, but I'd also love to work on a project as challenging and heartfelt as 'Room.'

'Infernal Affairs' is really amazing and was a really popular movie. I would be fine with playing any character in the movie.

There are dialogue writers for a movie, there is a script to be followed... whatever my character says is not a reflection on my personal opinion or principles in life.

In 'Badlapur,' my character's name is Jhumli. It's a special film for me because I got a chance to work with my favourite director, Sriram Raghavan. I'm a huge fan of him.

While I was filming 'Kong' - and I don't play a very capable Army Ranger in 'Kong'; I play a completely different character - but we had a lot of Army Rangers there, former Army Rangers, and Navy SEALs, who were working on the movie with us for the other characters, for the Army guys in the movie.

Since I played a warrior in 'Magadheera,' my character sported shoulder-length hair and a thick beard.

The Avengers films, ideally, in the grand plan are always big, giant linchpins. It’s like as it was in publishing, when each of the characters would go on their own adventures and then occasionally team up for a big, 12-issue mega-event. Then they would go back into their own comics, and be changed from whatever that event was. I envision the same thing occurring after this movie, because the Avengers roster is altered by the finale of this film.

It was great for that to be my first movie with such a wonderful cast, and such a huge movie. And now I get to do The Fighting Temptations, which is coming out soon-it wasn't much of a character, it was more of a real person, so I got to show more of my acting range.

Action is a way of externalizing an emotional state. You might not be running, leaping, climbing and doing all that. But, the way you create that emotional state in a movie is by having the characters have physical jeopardy that they have to work against.

Everything we do is about the emotion of the characters. We believe the better the emotion, the better the movie.

With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.

I love my job, simply because we can keep things fresh, all the time. That's a luxury not all shows have. For us, as actors, it keeps us interested in our jobs and it keeps us coming back to work, every day. A new setting is amazing 'cause it's new for the team and it's new for our characters.

But I have seen my obstacles: trivialities, learning and poetry. This last needs explaining: the old artist's readiness to dissolve characters into a haze. Characters cannot come alive and fight and guide the world unless the novelist wants them to remain characters.

Most of the methods of training the conscious side of the writer-the craftsman and the critic in him- are actually hostile to the good of the artist's side; and the converse of this proposition is likewise true. But it is possible to train both sides of the character to work in harmony, and the first step in that education is to consider that you must teach yourself not as though you were one person, but two.

Well, it's kind of like that classic sort of trajectory in this kind of movie where there's conflict and they're estranged and they kind of grow to love each other but they don't show it. Then at the end - it's kind of like that. But I think the characters are more interesting than that.