Michael Dorn Quotes

From being in the industry as a teenager, I'm so used to getting makeup done all day.

In my regular life, I don't really wear much makeup unless I'm going out.

I was at Pepperdine University in Malibu, and during my sophomore year, I played a dying burn victim on 'ER.' The makeup artist put burn makeup all over my body and I couldn't move or eat for 12 hours. I lost 8 pounds that week.

I did not know that you had to learn makeup. I just thought you went, 'Oh, I'm gonna put on some makeup.'

I'm either full-glam or no makeup at all.

When I'm onstage, I have to have primer. Actually, the more primer, the less makeup I have to put on.

You'd come in in the morning and put your contact lenses in and they'd put your makeup on. I tried to stay out of the sun, because the more color you had, the more makeup you had to wear, to cover your color.

I have to go with Data's makeup, because that was basically every day, 10 months out of the year, for seven years. There were only a couple of days that I had to endure for Dr. Soong.

I don’t think I would ever have been able to be an actress had I not started at nine years old. I would have been the last person to stand up and say, ‘I’d like to star in the play.’

I trip off it. You know what's interesting about the makeup is when you get up close and you know he's been working on your face, and you see where the makeup starts and it stops, and how seamless it is. You could look at it for hours.

[Payne] was a really great experience, and both John [ Larroquette] and JoBeth [Williams] over the years, it's been great reconnecting with them and working with them on other projects as well.

In a pinch, I could always get work in pictures as a makeup artist.

Normally you're 21 years old and you look like Tom Cruise and you do a couple underwear commercials first and then you're a movie star. That didn't happen for me. So it was all quite overwhelming.

I've always enjoyed watching makeup artists - but I'd like to go to the extreme and do monster makeup in movies.

I don't think I ever said, "I want to be an actress." But for Halloween, I dressed up as a movie star from when I was seven to when I was twelve. The costume was always a long dress, with makeup, and my hair curled, and jewelry on. And the movie star was always Jenny McCarthy. So right there you could see a little pattern.

When I was 9 years old, Star Trek came on.

Basically when you whittle everything away, I'm a grown man who puts on makeup.

I do a combo situation of lotion and body makeup and put it on with my moisturizer in the morning. That seems to work best for me because self-tanning lotion always streaks and looks kind of crazy. So I put on some body makeup and wash it off at night. I have to do it every day, but that's just a part of my life now.

I've done so many television pilots. I've done eleven I think and I've never had one get picked up. There was never one that I was a guest star on. It's just fascinating, but I don't think it would be fun to be recognized all the time.

I had always planned when I started directing in 1970 that after a few years I'd get tired of looking at myself on the screen and say: "Hey, let's not do that any more." But then every once in a while something pops up. I'm not saying it won't happen again but probably the odds get less as you set yourself for roles that fit your age group.

I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.

They were nicely written and nicely directed episodes [Star Trek: Enterprise]. I enjoyed working with Scott [Bakula]. So it was good to do, and, as you said, it did serve to enhance the Soong legacy.

I did an after-school special as my first big thing. It was starring Butterfly McQueen. She was the name. But the real star of it was Robbie Rist, who was that little blond kid who looked like John Denver.

I always like to start with a matte base then add shimmer.

For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.