Anna Quindlen Quotes

The act of writing surprises me all the time. A miraculous thing happens when you have an idea and you want to convert it into words... and then you start to create a work of art, and that's another miracle, and it remains mysterious to the writer, or to this writer anyway.

I don't carry notebooks and I don't consciously store ideas. I try not to think that I am a writer and I am pretty good at doing that. I don't like writers, but then I don't like insurance salesmen either.

Stories come to me and I don't know where they come from, but afterwards I can look back and say, 'Oh yes, that's got a little bit of me, or a little bit of my own son in it'. That's where ideas come from.

Having imagination it takes you an hour to write a paragraph that if you were unimaginative would take you only a minute.

Weirdly, often the more I write, the more ideas I have.

I pick up inspiration from everywhere and it all manages to keep stored in my brain somewhere.

I tend to have an endless number of ideas for writing projects. I don't necessarily say that as a good thing. Maybe it's a good thing, but I have ideas for all kinds of projects: contemporary novels, graphic novels, anything that happens to go through my mind.

You never know how - or when - the idea for a book will appear.

I'm a great believer in gathering together all your obsessions and seeing if you can make a novel out of them.

I think that an artist is a bit like a computer. He receives information from the world around him and from his past and from his own experiences. And it all goes into the brain.

Ideas come from somewhere. People don't come up with these ideas from nowhere. Something triggers your thoughts.

I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play.

My struggle over the years has constantly been, it only takes 10 minutes, or an average shower, to come up with a mini-series or two, but it takes a year to draw them. So for me, it's been just trying to find a way to get all these ideas and all these incidents on paper.

When people ask me where I get my ideas, I lie. I tell them I draw inspiration from the news, the world, my dreams. Or I joke and say that I steal from other writers. I lie because I don't know where ideas come from, and I'm afraid if I look too hard, they'll stop coming.

The stressful time is the blank page at the beginning. When you're starting to see things being made flesh, and you're able to respond to that flesh, that's really exciting.

As authors, we know that it is very difficult to unleash one's creativity.

Once I have a story idea I like it doesn't even matter to me what genre it is, I'm just so happy to have one.

If I'm walking along the street, ideas come. Ideas about things that I'm interested in. I've jotted them down in the past on bits of paper and then, more recently, on apps in my phone. I've always written poetry since I was a kid.

I have a shoebox: for ideas, fragments, snatches of conversation I hear. I scrawl it down, throw the scraps in the box. Every time I start a new script I start picking through the pieces. Suddenly you get five pieces together and think: this is almost the first Act of a movie, if I flesh it out a bit.

The poet's mind is in fact a receptacle for seizing and storing up numberless feelings, phrases, images, which remain there until all the particles which can unite to form a new compound are present together.

Creativity is a process more often than it is an event.

If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic.

When the initial little impulse comes it just tends to come. I wake up in the middle of the night, or I'll be swimming in the pool with my kids and just think, "Can't forget that one." Then there's the more organized side of the brain, which is when I choose to work on them. I've learned through a bunch of mentors how to demarcate the different times for your writing process. I keep multiple projects going at once and there's a time when no matter what you're doing, you have to stop and write it because it's coming.

I think every writer's had the experience of having a really good idea, waiting to write it, and then once you write it, you're like, "Oh I kind of got past the sell by date on this." I'm not connected to the initial spark that was the idea. A lot of that's about staying open.

The stuff of which masterpieces are made drifts about the world waiting to be clothed in words.