David Copperfield Quotes

My memories of Las Vegas were all with my father when I was, like, a teenager. He was best friends with Frank Sinatra and Dean Martin, and we'd come up and see the shows and go backstage afterwards and have dinner together. It was one of my first educations about stars and how they really are back stage.

A lot of my friend's mothers and parents worked at Paramount Studios, so I would always go. I met the Fonz when I was really young, like four or five years old. I was always around people in entertainment all the time throughout my whole life.

When I lived in Las Vegas, I was meeting everybody: Sammy Davis Jr., Frank Sinatra, Elvis Presley, Engelbert Humperdinck, Tom Jones - we won't go there - but all these people that were working in Vegas a million years ago, way before I was Elvira.

When I was a teenager and all these shows were on I was in that business, so I knew a lot of people in the theaters and I saw many of the great shows many times. I would go in and stand in the back - they would let me in, they knew me. I saw Fiddler on the Roof, A Funny Thing Happened on the Way to the Forum, Gypsy, and Funny Girl many times just standing in the back.

As I got older, I had a bunch of friends that were various teen stars. I've always known people in the spotlight and people who just grew up in L.A. and had nothing to do with the industry. It's not a glamorous thing to me. It's just a different type of business.

I do a lot of Vegas work and work with the comedians.

I'm all for big production - I love putting on shows.

I would love to have a drink with Meryl Streep or Prince. Those are my top two people I would love to talk to.

The best thing about being an actress is getting good concert tickets.

'Confessions of a Video Vixen' is not a book about my encounters with celebrities, or anyone else for that matter. It is my life story, thus far, which just so happens to include some people you may have heard of.

I'm a heel man. There's no doubt about that. I've always done heels for my shows, ever since the first in 2008.

My family was amazing; they exposed me to the world of show business, and, boy, it was the '70s and I got to spend a lot of time backstage at theaters and see the inner workings of how this entertainment industry is really put together.

There were a great many in vaudeville - people who never quite came through. But they had their place, and they filled it. They kept theatres open. Those pan-timers, those interstate-timers, those four-a-dayers, those six-a-dayers - they were an integral part of that endearing merry-go-round called vaudeville.

I was a big Broadway fan for a while.

My mother worked in the old Minsky's troupe, which toured the country in the golden age of burlesque theatre.

I always smoked cigars. I've smoked cigars with everybody in show business.

I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie. The networks just wouldn't spend the money today.

You meet people in Hollywood that are famous, and you're not sure what they got famous for.

James Dean and Dennis Hopper were members of the health club I went to.

Broadway has a lot more razzle-dazzle than the West End. In terms of the everyday work routine, it's not different, but there's a cachet about Broadway that lends itself to more anticipation among audiences.

When we first went to L.A., Howard Koch, who was the head of Paramount Pictures and later President of the Oscars, threw a welcome lunch for us at his house. There were all these stars there - Frank Sinatra, Dean Martin, Lucille Ball, Natalie Wood, Henry Mancini.

Who have I been starstruck by in real life? One of the weirdest ones was, when we were making 'Cry-Baby,' David Nelson from 'The Adventures of Ozzie & Harriet.' I couldn't believe he was sitting in my living room. Certainly Patricia Hearst. Tab Hunter. A lot of the stars I've worked with, when I first got them.

I'm just a giddy teenager who would like to break into show business any way I can.

A professional music career goes in starts and stops. Around 2000 I was doing a Broadway show and that was some real good energy.

I'm convinced whenever something opens on Broadway, it's a miracle. It's a miracle that people survived.