TONY D'SOUZA

Nicaragua is a World Bank and International Monetary Fund designated 'heavily indebted poor country,' with little legal ability to control its economic future: Everything is for sale. And once Nicaraguans decide to cash in and sell their houses or farms, they have to look far inland for anything affordable.

I should be writing a poem every morning but I'm not.

When I first read 'On the Road,' it helped me figure out how to live against the grain. Now I wonder how to be subversive when the subversive has become mainstream.

Every gift is held by two hands: the one that gives, and the one that takes away.

I have no doubt that 'On the Road' is a Great American Novel. But I'm also certain my students will do fine without it.

Discipline is what makes a writer. If writing was like lifting weights, then I'd look like Mr. Universe. Write every day. Give the Muse a chance to get to know you.

When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.

The O. Henry has become lingua franca among writers for saying, 'That guy can write a story.' It's prestigious, respected, coveted, dreamed about. It's very satisfying to be included in this group of writers. Here's a koan: Could O. Henry win an O. Henry?

In the time it takes American literary titan William H. Gass to write a novel, other artists have been born, completed their life's work and died. That may be an exaggeration, but only a slight one.

In a way, 'On the Road's greatest victory is that nobody's eyes will be opened any longer by reading it; the last time I met any young people who were actually 'on the road' was when I covered Occupy St. Louis. Those few, dirty kids were fighting a battle even they couldn't articulate.

I have no doubt that 'On the Road' is a Great American Novel. But I'm also certain my students will do fine without it.

Discipline is what makes a writer. If writing was like lifting weights, then I'd look like Mr. Universe. Write every day. Give the Muse a chance to get to know you.

I once waited on Sean Connery. A long time ago. This was at the Caledonian Hotel in Edinburgh. They closed down the restaurant for him, and when he walked in with his morning paper, all the waitresses started squealing. He was a big guy, bigger than in the movies.

When I first read 'On the Road,' it helped me figure out how to live against the grain. Now I wonder how to be subversive when the subversive has become mainstream.

The O. Henry has become lingua franca among writers for saying, 'That guy can write a story.' It's prestigious, respected, coveted, dreamed about. It's very satisfying to be included in this group of writers. Here's a koan: Could O. Henry win an O. Henry?

In a way, 'On the Road's greatest victory is that nobody's eyes will be opened any longer by reading it; the last time I met any young people who were actually 'on the road' was when I covered Occupy St. Louis. Those few, dirty kids were fighting a battle even they couldn't articulate.

I should be writing a poem every morning but I'm not.

In the time it takes American literary titan William H. Gass to write a novel, other artists have been born, completed their life's work and died. That may be an exaggeration, but only a slight one.

Nicaragua is a World Bank and International Monetary Fund designated 'heavily indebted poor country,' with little legal ability to control its economic future: Everything is for sale. And once Nicaraguans decide to cash in and sell their houses or farms, they have to look far inland for anything affordable.

When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.

Every gift is held by two hands: the one that gives, and the one that takes away.