SONJA SOHN

Even though the neighborhood I grew up in had some unhealthy elements, there was a caring there where you knew that you didn't want to get caught doing something wrong. There were bright spots in the neighborhood where I felt nurtured on a community level.

I was very academically inclined. But my inner life was in such turmoil. I'd go home and my home life was so miserable that it just felt like I was doing everything that I was supposed to do. I did all my chores, made really good grades, and I was excelling at school, but I wasn't happy.

I loved to write; in my late teens I had a 'zine. But it wasn't until I went back to school, later on in my 20s, that I actually saw that I had writing talent.

Why don't you just ease up a little bit, just be professional. Maybe you're over-investing - maybe you're caring a little too much.

It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.

I studied acting for five years. I quit college at that point. You know, I go hard. When I know I'm supposed to go in a direction, I'm fully committed and I go all the way. Everything falls to the side and I'm all in. So I completely dove into acting even though I was almost 30.

In terms of having to uphold something, I don't need any added pressure. I need to be free in the work.

My own perception of cops was that they came into your neighborhood, they roughed up people that you loved for no reason and took them away. As a child you saw that.

I realized that there was something internal that I could gain from pursuing this career as an actor. However, once I got into the business I just really abhorred what this career can drum up inside of a person.

To call the police is a really big deal because you don't snitch - that's the culture you grow up in.

This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress because of my delivery, when I was just dropping into the work and really pouring out my soul.

My own perception of cops was that they came into your neighborhood, they roughed up people that you loved for no reason and took them away. As a child you saw that.

I realized that there was something internal that I could gain from pursuing this career as an actor. However, once I got into the business I just really abhorred what this career can drum up inside of a person.

I loved to write; in my late teens I had a 'zine. But it wasn't until I went back to school, later on in my 20s, that I actually saw that I had writing talent.

To call the police is a really big deal because you don't snitch - that's the culture you grow up in.

I studied acting for five years. I quit college at that point. You know, I go hard. When I know I'm supposed to go in a direction, I'm fully committed and I go all the way. Everything falls to the side and I'm all in. So I completely dove into acting even though I was almost 30.

I was very academically inclined. But my inner life was in such turmoil. I'd go home and my home life was so miserable that it just felt like I was doing everything that I was supposed to do. I did all my chores, made really good grades, and I was excelling at school, but I wasn't happy.

Even though the neighborhood I grew up in had some unhealthy elements, there was a caring there where you knew that you didn't want to get caught doing something wrong. There were bright spots in the neighborhood where I felt nurtured on a community level.

In terms of having to uphold something, I don't need any added pressure. I need to be free in the work.

Why don't you just ease up a little bit, just be professional. Maybe you're over-investing - maybe you're caring a little too much.

It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.