RICHARD RODNEY BENNETT

The different parts of my career seemed to take part in different rooms, albeit in the same house. It was just the way things were and I didn't actually think much about it at the time.

I am proud to be able to claim that, from the age of nineteen, I've managed to earna living entirely as a composer.

Elizabeth Lutyens was the first professional composer that I ever knew. I sent someextremely infantile pieces that I I'd written and got marvellous encouragement andinterest from her... she's certainly the English composer who's influenced me themost.

I wanted to write music, and cook, and play cards, and have a nice time.

Being on a musical quest was something I always enjoyed.

I realized very early that I was never going to make by living by writing string quartets. But I wanted to write music and I didn't want to have to do anything else.

I hated teaching composition. I was playing music I didn't particularly want to play, being on committees I didn't want to be on.

I just scribbled away and eventually a C-major chord was there. I didn't ever decide I was going to be a composer. It was like being tall. It's what I was. It's what I did.

When I came across something I liked, I wanted to find out as much as I could about it. This was as true of hearing Hoagy Carmichael for the first time as it was later when I first heard Boulez.

People ask what was the first piece of music I wrote. There was no first piece.

The different parts of my career seemed to take part in different rooms, albeit in the same house. It was just the way things were and I didn't actually think much about it at the time.

When I came across something I liked, I wanted to find out as much as I could about it. This was as true of hearing Hoagy Carmichael for the first time as it was later when I first heard Boulez.

I was a catastrophe at Science and Games, but the good thing about Quaker schools is that they encourage you in those subjects for which you show an aptitude.

People ask what was the first piece of music I wrote. There was no first piece.

I just scribbled away and eventually a C-major chord was there. I didn't ever decide I was going to be a composer. It was like being tall. It's what I was. It's what I did.

I hated teaching composition. I was playing music I didn't particularly want to play, being on committees I didn't want to be on.

I wanted to write music, and cook, and play cards, and have a nice time.

Being on a musical quest was something I always enjoyed.

I realized very early that I was never going to make by living by writing string quartets. But I wanted to write music and I didn't want to have to do anything else.

I am proud to be able to claim that, from the age of nineteen, I've managed to earna living entirely as a composer.

Elizabeth Lutyens was the first professional composer that I ever knew. I sent someextremely infantile pieces that I I'd written and got marvellous encouragement andinterest from her... she's certainly the English composer who's influenced me themost.