PAUL VERLAINE

Your soul is a chosen landscape Where charming masked and costumed figures go Playing the lute and dancing and almost Sad beneath their fantastic disguises. All sing in a minor key Of all-conquering love and careless fortune They do not seem to believe in their happiness And their song mingles with the moonlight. The still moonlight, sad and beautiful, Which gives the birds to dream in the trees And makes the fountain sprays sob in ecstasy, The tall, slender fountain sprays among the marble statues.

I like this word decadent; all shimmering and purple and gold.

Tears fall in my heart like the rain on the town.

London, black as crows and noisy as ducks, prudish with all the vices in evidence, everlastingly drunk, in spite of ridiculous laws about drunkenness, immense, though it is really basically only a collection of scandal-mongering boroughs, vying with each other, ugly and dull, without any monuments except interminable docks.

I love this word decadence, all shimmering in purple and gold. It suggests the subtle thoughts of ultimate civilization, a high literary culture, a soul capable of intense pleasures. It throws off bursts of fire and the sparkle of precious stones. It is redolent of the rouge of courtesans, the games of the circus, the panting of the gladiators, the spring of wild beasts, the consuming in flames of races exhausted by their capacity for sensation, as the tramp of an invading army sounds.

I am the Empire at the end of the decadence.

Prends l'e loquence et tords-lui son cou! Take eloquence and break its neck!

A vast black sleep falls over my life sleep, all hope sleep, all desire.

Here are fruits, flowers, leaves and branches, and here is my heart which beats only for you.

The rosy hearth, the lamplight's narrow beam, The meditation that is rather dream, With looks that lose themselves in cherished looks; The hour of steaming tea and banished books; The sweetness of the evening at an end, The dear fatigue, and right to rest attained, And worshipped expectation of the night,— Oh, all these things, in unrelenting flight, My dream pursues through all the vain delays, Impatient of the weeks, mad at the days!

The poet is a madman lost in adventure.

Tears fall in my heart like the rain on the town.

I am the Empire at the end of the decadence.

La musique avant toute chose.

Prends l'e loquence et tords-lui son cou! Take eloquence and break its neck!

I like this word decadent; all shimmering and purple and gold.

London, black as crows and noisy as ducks, prudish with all the vices in evidence, everlastingly drunk, in spite of ridiculous laws about drunkenness, immense, though it is really basically only a collection of scandal-mongering boroughs, vying with each other, ugly and dull, without any monuments except interminable docks.

A vast black sleep falls over my life sleep, all hope sleep, all desire.

The rosy hearth, the lamplight's narrow beam, The meditation that is rather dream, With looks that lose themselves in cherished looks; The hour of steaming tea and banished books; The sweetness of the evening at an end, The dear fatigue, and right to rest attained, And worshipped expectation of the night,— Oh, all these things, in unrelenting flight, My dream pursues through all the vain delays, Impatient of the weeks, mad at the days!

Take eloquence and wring its neck.

Here are fruits, flowers, leaves and branches, and here is my heart which beats only for you.

I love this word decadence, all shimmering in purple and gold. It suggests the subtle thoughts of ultimate civilization, a high literary culture, a soul capable of intense pleasures. It throws off bursts of fire and the sparkle of precious stones. It is redolent of the rouge of courtesans, the games of the circus, the panting of the gladiators, the spring of wild beasts, the consuming in flames of races exhausted by their capacity for sensation, as the tramp of an invading army sounds.

A flat black bug, that is London.

Your soul is a chosen landscape Where charming masked and costumed figures go Playing the lute and dancing and almost Sad beneath their fantastic disguises. All sing in a minor key Of all-conquering love and careless fortune They do not seem to believe in their happiness And their song mingles with the moonlight. The still moonlight, sad and beautiful, Which gives the birds to dream in the trees And makes the fountain sprays sob in ecstasy, The tall, slender fountain sprays among the marble statues.