NICOLE MILLER

Perhaps the street photographer has been replaced by the security camera.

My last boyfriend used to always tell me, 'Grow up.' But I say, Why?

My mother is from Paris, so she was quite a fashion plate. I always had that French influence at home.

When I walk out on the street, I want to see everybody wearing my clothes.

I always had this thirst for excitement.

It's so boring to just hire a fancy caterer and have them do everything.

No matter what you do, black lace tends to look a little Spanish.

The relationship between looking and desire is really about the promise of revelation - the hope that the subject of your gaze will reveal something to you - whether or not that revelation is prurient. And that's really what eroticism is - the anticipation of disclosure.

When the government is looking for a criminal in the crowd, it construes people in terms of culpability: innocence or guilt. When a corporation uses emotion recognition software to gauge your reaction to a carton of milk, it construes your body as a consumer. So there are these different modes of seeing what it is to be human, which have important implications for social classification, stereotyping, and racial profiling.

Between food and fashion, there's always a direct correlations - designers have forever done prints with food on them. Vegetables, fruit, apples. There are some beautiful prints that have been made with fruit over time. I think food and restaurants have become more and more fashionable over time. That's become more of a fashion thing than fashion becoming a food thing. I don't think fashion has gotten so food oriented in the reverse aspect, but I think the whole food industry has gotten very design oriented. I think it's a nice way of putting things together.

It's so boring to just hire a fancy caterer and have them do everything.

No matter what you do, black lace tends to look a little Spanish.

My last boyfriend used to always tell me, 'Grow up.' But I say, Why?

When I walk out on the street, I want to see everybody wearing my clothes.

I always had this thirst for excitement.

My mother is from Paris, so she was quite a fashion plate. I always had that French influence at home.

The relationship between looking and desire is really about the promise of revelation - the hope that the subject of your gaze will reveal something to you - whether or not that revelation is prurient. And that's really what eroticism is - the anticipation of disclosure.

Between food and fashion, there's always a direct correlations - designers have forever done prints with food on them. Vegetables, fruit, apples. There are some beautiful prints that have been made with fruit over time. I think food and restaurants have become more and more fashionable over time. That's become more of a fashion thing than fashion becoming a food thing. I don't think fashion has gotten so food oriented in the reverse aspect, but I think the whole food industry has gotten very design oriented. I think it's a nice way of putting things together.

When the government is looking for a criminal in the crowd, it construes people in terms of culpability: innocence or guilt. When a corporation uses emotion recognition software to gauge your reaction to a carton of milk, it construes your body as a consumer. So there are these different modes of seeing what it is to be human, which have important implications for social classification, stereotyping, and racial profiling.

Perhaps the street photographer has been replaced by the security camera.