MITCH GLAZER

I love writing for and about women. In my whole career I have.

In writing for movies, you obviously want to resolve things and have a sense of completion at the end - in an ideal way.

The thing that's really cool for me about Miami Beach is you have this dichotomy between sunlight and family and happiness and innocence and then at night, darker, stranger mob conspiracy stuff sort of comes out. It seems like a storytelling engine. You can just keep writing about how those two worlds smash into each other.

As a kid, I used to be equal parts drawn to and horrified of the circus. They would have these beautiful canvas posters for Lobster Boy, bearded women, and this and that.

In writing for movies, you obviously want to resolve things and have a sense of completion at the end - in an ideal way.

The thing that's really cool for me about Miami Beach is you have this dichotomy between sunlight and family and happiness and innocence and then at night, darker, stranger mob conspiracy stuff sort of comes out. It seems like a storytelling engine. You can just keep writing about how those two worlds smash into each other.

As a kid, I used to be equal parts drawn to and horrified of the circus. They would have these beautiful canvas posters for Lobster Boy, bearded women, and this and that.

I love writing for and about women. In my whole career I have.