MARY HALVORSON

I've kind of become obsessed with the pedal steel. It's a beautiful sound, and the mechanics of it are so interesting.

I don't enjoy jazz guitar in general. I don't enjoy listening to a lot of it. I don't enjoy the tone. In general I've found its role in jazz to be kind of difficult.

I think jazz guitar isn't very ladylike in general. Not that it shouldn't be.

Actually, a lot of my influences were horn players. I really liked Eric Dolphy, John Coltrane and Miles Davis - people like that. My dad had a lot of those records. So when I started playing jazz primarily, it wasn't jazz guitar that I was listening to.

Nobody would take me seriously. They would take one look at me and say, 'O.K., folk singer.' That was really hard for me, and I was angry a lot of the time. I did all these summer programs, and I never encountered another female playing jazz guitar. Ever.

Nobody would take me seriously. They would take one look at me and say, 'O.K., folk singer.' That was really hard for me, and I was angry a lot of the time. I did all these summer programs, and I never encountered another female playing jazz guitar. Ever.

I think jazz guitar isn't very ladylike in general. Not that it shouldn't be.

Actually, a lot of my influences were horn players. I really liked Eric Dolphy, John Coltrane and Miles Davis - people like that. My dad had a lot of those records. So when I started playing jazz primarily, it wasn't jazz guitar that I was listening to.

I've kind of become obsessed with the pedal steel. It's a beautiful sound, and the mechanics of it are so interesting.

I don't enjoy jazz guitar in general. I don't enjoy listening to a lot of it. I don't enjoy the tone. In general I've found its role in jazz to be kind of difficult.