LUCHINO VISCONTI

The prince in 'The Leopard' was a very complex character - at times autocratic, rude, strong - at times romantic, good, understanding - and sometimes even stupid, and above all, mysterious.

I like melodrama because it is situated just at the meeting point between life and theater.

I could make a film in front of a wall if I knew how to find the data of man's true humanity and how to express it.

I think today there are too many directors taking themselves seriously; the only one capable of saying anything really new and interesting is Luis Bunuel. He's a very great director.

Don't underestimate Laura Antonelli. She's burning to do well. And then she has an extraordinary face, even without make-up. It's not with her that I'd discuss literature. I speak only of the film 'L'Innocente,' and what she does she does well.

It seems that boredom is one of the greatest discoveries of our time. If so, there's no question but that he must be considered a pioneer.

I think today there are too many directors taking themselves seriously; the only one capable of saying anything really new and interesting is Luis Bunuel. He's a very great director.

Don't underestimate Laura Antonelli. She's burning to do well. And then she has an extraordinary face, even without make-up. It's not with her that I'd discuss literature. I speak only of the film 'L'Innocente,' and what she does she does well.

The prince in 'The Leopard' was a very complex character - at times autocratic, rude, strong - at times romantic, good, understanding - and sometimes even stupid, and above all, mysterious.

I could make a film in front of a wall if I knew how to find the data of man's true humanity and how to express it.

I like melodrama because it is situated just at the meeting point between life and theater.

It seems that boredom is one of the greatest discoveries of our time. If so, there's no question but that he must be considered a pioneer.