LINN ULLMANN

When you're not writing, you're not doing anything else either because everything you do goes into the writing.

Fairy tales and folk tales have always played a role in my writing in one way or another.

Playing with different genres and perspectives and ways of telling stories is one of the perks of being a novelist, but at the same time, I want precision. And in order to be precise about stuff, you have to get personal. Symbolism is very boring.

I began writing 'The Cold Song' in the months following my father's death, when I felt this sense of loss, disappearance, of being right in the middle of life and wondering: 'What now? How to proceed?'

Playing with different genres and perspectives and ways of telling stories is one of the perks of being a novelist, but at the same time, I want precision. And in order to be precise about stuff, you have to get personal. Symbolism is very boring.

Fairy tales and folk tales have always played a role in my writing in one way or another.

I began writing 'The Cold Song' in the months following my father's death, when I felt this sense of loss, disappearance, of being right in the middle of life and wondering: 'What now? How to proceed?'

When you're not writing, you're not doing anything else either because everything you do goes into the writing.