Writing Flexibility Quotes

I never have particular actors planned when I'm in the process of writing.

If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.

I usually do my writing in a very nice room, my studio, which is in the attic of our house in Wisconsin. But the nice thing about writing is that I can do it in many places. So sometimes I'll write in coffee shops.

If you care about who I want to write about, I'll write about the people you want to read about.

I don't have any writing routine. Sometimes I go to my local coffee shop and I write there for some hours. Apart from that, I am traveling most of the time. I write in airports, trains, hotel rooms... I can write anywhere.

Must you write complete sentences each time, every time? Perish the thought. If your work consists only of fragments and floating clauses, the Grammar Police aren't going to come and take you away. Even William Strunk, that Mussolini of rhetoric, recognized the delicious pliability of language. "It is an old observation," he writes, "that the best writers sometimes disregard the rules of rhetoric." Yet he goes on to add this thought, which I urge you to consider: "Unless he is certain of doing well, [the writer] will probably do best to follow the rules."

The beauty of word processing, God bless my word processor, is that it keeps the plotting very fluid. The prose becomes like a liquid that you can manipulate at will. In the old days, when I typed, every piece of typing paper was like cast in concrete.

It is perfectly okay to write garbage – as long as you edit brilliantly.

I think one of the biggest mistakes you can make as a writer is to follow your initial [writing] plan too stringently. A story needs room to grow and evolve.

Some writers say they cannot write in front of a window; many say they cannot function without almost perfect quiet. A writer with only two hours a day can write in the back of an open truck on the Interstate.

Most of my recent plays were written in the railway train between Hatfield and Kings Cross. I write anywhere, on the top of omnibuses or wherever I may be; it is all the same to me.

If you're writing a screenplay, you need to be prepared to let go: there's a good chance the words you write aren't going to be the ones that end up on screen.

Writing with kids is an adventure. It seems like someone always has the flu or pink-eye. I mean, you don't even have to be in direct contact with anyone to get pink-eye. But for parents who write, flexibility becomes essential, and as long as I have a pad of paper and a pen, I can write anywhere. Starbucks is fine.

I can write for any magazine now, in any voice. I can do it in two hours, I could do it in my sleep, it's like writing a grocery list.

The beautiful part of writing is that you don't have to get it right the first time, unlike, say, a brain surgeon. You can always do it better, find the exact word, the apt phrase, the leaping simile.

I can write anywhere. I write in airports. I write on airplanes. I've written in the back seats of taxis. I write in hotel rooms. I love hotel rooms. I just write wherever I am whenever I need to write.

No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.

I can write absolutely anywhere. All I need is a laptop.

I come up with a blurb at the beginning, but the book will always be completely different by the time it's finished. They say, 'Where's the book you were going to write?' And I say, 'Forget about it. It doesn't exist.'

I can write pretty much anywhere.

Most important of all, there is no right or wrong way to write - there's only what works for you. I was taught to write every day, but I know a writer (a bestseller at that!) who only writes on weekends.

I don't understand why one should be one thing or the other. Writing, to me, is writing is writing. It should be a flexible tool. Whatever skills I have, have to work for me; I won't be dictated by them.

When I'm working on a short story, I could duck into a bathroom at a crowded party and write a scene, which is to say I can work in a very incremental way.

How much energy is wasted in Italy in trying to write the novel that obeys all the rules. The energy might have been useful to provide us with more modest, more genuine things, that had less pretensions: short stories, memoirs, notes, testimonials, or at any rate, books that are open, without a preconceived plan.

I wouldn't like to just do one story or one type of stories all the time.