Writing Feedback Quotes

If a reviewer is beating me up, I just say, 'Oh well, my writing is not to his or her taste.' And that's as far as it goes. Because I will simultaneously read a review where somebody says, 'Oh my God, I had so much fun reading this book and I learned so much.'

I think it's especially important for an editor to say what he's enjoying. For a novelist to be told, midstream, what he's doing right can actually influence the unwritten parts of a novel in a positive way - praise helps a writer know what's good about what he's written, what's interesting and exciting, and what to work for in writing the conclusion.

(Feedback) People become addicted to it. That’s why journalism is so popular, because you want to hear, every day, what people think of what you just wrote. I think a little patience on that front can be good, too.

I taught writing classes at the University of Pennsylvania for a number of years and I realized that all you can do is encourage people and give them assignments and hope they will write them.

Margot Livesey, my dear friend, reads all the drafts of what I write, and I read hers. We have an intense working relationship. I've been really lucky to know her. She's a great reader and teacher as well as an astonishingly good writer.

Your spouse, a sibling, a friend need to read your drafts. They have to be people unafraid to tell you what sucks. For early feedback, that's more important than professional editorial skill. Most people know what sucks.

I used to give her [my wife] to read the column every week before I sent it to the editors. And sometimes she was so mad - are you crazy? You're not going to send that, or, you're not going to write that about me. So I would go, OK. You have five hours. Go ahead, write the column yourself.

I posted the first three chapters and I had enough people say that chapter two was dragging that I cut it out just before the book went to press. And I'm glad I did. The book is a lot better without it.

Getting your writing criticized can be a lot like getting skinned, and you respond to it just as enthusiastically.

I posted chapters online and let people give feedback, and I was surprised at how much of that feedback I actually used for the book.I posted chapters online and let people give feedback, and I was surprised at how much of that feedback I actually used for the book. It was a different process for me, but I liked it.

It can be difficult workshopping novels because any questions or qualms you have as the author can be like, 'That's next chapter, don't worry about it!' I don't think the workshop is set up so well to do that for novels.

I rely heavily on my beta readers' honest critiques.

As an unpublished, nonprofessional writer working on my first novel, I nevertheless had access to extremely talented people who would help make my manuscript better, people who've made careers out of providing careful, constructive criticism to writers. I'm tremendously grateful to them.

I give my work to my wife first to read. Then, I try to find new people who haven't read my work before, to get a new perspective.

If every editor turns you down, maybe you should take a second look at your text, however, just in case.

If readers tell you that stretches of dialogue or narrative were too long, that they couldn't tell who was talking, that's something that can be fixed.

Some worked in collaboration with each other to produce comics as well as short stories.I was partnered with Anita Roy. We critiqued each other's stories. Hers is a corker: future Masterchef. I chortled. There's not a single dud in Eat the Sky.

Publishing your work is important. Even if you are giving a piece to some smaller publication for free, you will learn something about your writing. The editor will say something, friends will mention it. You will learn.

I don't want to walk in the middle. I want people to read what I write and feel strongly about it. If, at some point, whatever I am doing is failing to elicit a response, whether it's very positive or very negative, then I am going to stop doing it.

I've definitely written people e-mails telling them I've loved their stories, but that seems more like a professional journalist thing to do.