Writer Collaboration Quotes

It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career.

I'm kind of at the mercy of writers out there. I need a writer out there who wants to write a vehicle for me. Do it and get it to me immediately. I do want to be a lead. I want to play a lead role in a movie.

Basically I started to jot notes, lots of faxes back and forth to my writer, we faxed ideas throughout the whole first draft, and started all over again.

It's always a treat to have something that lets me explore a different period. I do try to be a stickler, as much as I can, but luckily the writers are, as well.

I know 'Dabangg' has some pre-requisites. Every film has some requisites that you have to fulfill. I sat down with my writer and discussed what as an audience I want to see in the second part of the film. We worked towards that and we hope what we thought connects with the audience.

I always wanted to create a site that was sports and pop culture. '30 for 30' had a big impact because I loved how that was about finding, empowering and working with these incredible directors, and I thought the same thing could work for writers.

Every single word that's on the screen, I oversee. There's nothing that's shot, I'm not involved in. The scripts go through multiple drafts, and I work with the writers on all these things. And I'm extremely involved in the writing process.

They're pretty particular about what they show. They certainly edit the scripts and have conversations with the writers about what they are and aren't willing to portray. But the writers and the network are pretty much on the same page.

It feels amazing to work with writers that write really well.

It's fun when the writers start writing jokes to you, but also it's fun when the writers will come to you and say 'Hey, listen, we're working on this story and we need to know if you speak any foreign languages.' And I said 'No, I don't. I speak a little Spanish, but I can learn a foreign language.' And they go 'Okay, do you think you can learn Portuguese?' And I go 'Yeah, whatever it takes. If it's funny, I'll do it.' So of course I start looking online and learning Portuguese, and as it turns out, I get the script and it's now Serbian.

I know I'm a better editor than I was when I began, twenty years ago. I'm less scared of the text, I'm less scared of the writer, and, crucially, I no longer believe that I have to leave my mark on every story.

I don't want to do only movies that I'm in. I definitely want to start to branch out and do TV and stuff that I'm not in and really make a good run at it as a production. I'm probably going to take a break from acting after a little while because I've enjoyed the developmental process so much. It helps you as an actor to learn story and to learn how to really nurture a script and work with a writer so you're not sitting there having to write it yourself and give notes.