About my method of work: first it’s the state of mind—Elation (joy).
I don't really generate material specifically for the Kingsway Music Library. It's just a product of the way I work.
I think one of the things I was most interested in finding out was how differently we approached our work. And my reality was that we didn't approach it very differently at all, which was funny.
I have my method when it comes to my work. I don't think about who has done what, rather what I am doing is of utmost importance to me.
If you work in a certain manner, you don't make mistakes.
The managers I've known all had their own specific way of working.
I've never tried to work chronologically. I don't think I have the discipline to do that.
It's not about how much work you're doing. It's about what work you're doing and how you're doing the work.
I work through teams. It's the only way I know how to work.
I have a few methods that I use. One of them that kind of works but is a bit a boring is that I lock myself in the studio and I have four hours to work and come up with stuff. If nothing's sticking in four hours, then I can stop.
Every professional has their way of working.
I'm more of a house painter.That's the way I work.
You have to work how you work.
I work in an impatient way.
I work differently than most people.
Some directors have just one way of working; you either have to adhere to it or you don't.
I always work from outline and almost always write out of sequence. It just works for me.
When you work from city to city or country to country, you work the same way; the working method is the same.
Edits are very important to me - they're the way in which I work on everything.
