Women's Fiction Quotes

It is a sad paradox that when male authors impersonate women ... they are said to be dealing with 'cosmic, major concerns' - but when we impersonate ourselves we are said to be writing 'women's fiction' or 'women's poetry.

'In the Cut' was not what readers expected of me. Before it was published, I was seen as a women's writer, which meant that I wrote movingly about flowers and children.

Chick lit was amazing, and I was thrilled to be part of it.

My real name is Madeleine Wickham, under which I write dramas with an edge of humour. As Sophie Kinsella it's fast, all-out comedies, such as the 'Shopaholic' series.

I still write. I'd love to write more trashy chick-lit. At the moment, I just re-write my own lines, which probably annoys most directors - though, thankfully not Adam Brooks!

Literary fiction is kept alive by women. Women read more fiction, period.

Do I mind being called a chick-lit writer? Well, it's not the worst thing that could happen.

Chick Lit uses humor to reflect life back to us. It's a very comforting genre, and it's the first time our generation has had a voice. It's a very important genre for all of those reasons.

I don't think anyone sits down and thinks, 'I know, I'll be a chick-lit writer.' You write the book that you want to write and then other people say, 'Oh, that's chick-lit.' You say, 'Okay.' But it's not like you look around and go to a careers fair and there will be someone at the chick-lit author stand.

Certainly, there is a tendency to lump women who write similar types of books together, and it's not just in crime, is it? Women's fiction is supposedly a whole genre of itself. There's no male equivalent.

I don't think my first book was chick lit.

I'm a huge Elizabeth Berg fan. Her novels are always charming, thoughtful, and filled with lively, three-dimensional characters.

I love smart commercial fiction. Susan Isaacs, for example and the readers who interest me are, in the preponderance, women. I am one of them; I like the books they like.

People say 'chick lit,' and what they mean is 'crap.' And so even though you might sell 100,000 copies of a book, you're never going to win a prize. These are books that people don't just read, they devour them - they stay up into the early hours because they want to devour them.

I love 19th century fiction and, in particular, fiction written by and about women.

There used to be a category called women's fiction - meaning not too rude, not too much sex, a bit domestic and internal. Women have changed so much. We're so varied. And we've become more interested in the same varied experience in fiction.

I say, 'I write romance, women's fiction, chick lit.' I think it all fits very comfortably under the same umbrella. Basically, I write books for women - books about relationships: books that make you laugh and sometimes make you cry a little.

The truth is, I can't help the way people perceive anything, from the role of financial industry in the economic crisis, to the place of women's fiction in the canon of modern literature, to the rank of mint chocolate chip ice cream as a favorite Baskin-Robbins flavor.

I always thought 'chick lit' meant third-person contemporary funny novels, dealing with issues of the day. I mean, it's not the ideal term; when I'm asked to describe what I do, I say I write romantic comedies, cause that's what I feel they are. But I'm quite pragmatic.

Chick-lit may be staggering on its heels, but women's fiction is alive and kicking.

I don't think I'm interested in writing women's novels anymore.

Whenever you're dealing with something that's difficult to describe, that you can't get across to someone in a sound bite, it sounds like the normal default is to pick what's easiest, and in the case of fiction written by women, fiction involving women, fiction involving any sort of relationship, the word that comes to mind is 'romance.'

People will say, 'I really don't like romance,' or, 'I don't read it - at all!' So how do they know? Weirdly, I think that the 'Fifty Shades of Grey' phenomenon introduced women to romance who would never have read it. And that means that they then go on to read my books, and that would be great.

Publishers often push women in a subtle way to focus on fantasy and paranormal writing.

When I first started writing 'Still Missing,' I didn't actually realize I was writing a thriller. I thought it was more women's fiction, but during the many years of rewrites, I kept taking out the boring parts, and then my agent informed me that I had written a thriller.