When the Second World War finished, I was 23, and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. So seeing horror depicted on film doesn't affect me much.
Everybody who went to Vietnam carries his or her own version of the war. Only 10 percent engaged in combat; the American elephant, pursuing the Vietnamese grasshopper, was extraordinarily heavy with logistical support.
During my three years in Vietnam, I certainly heard plenty of last words by dying American footsoldiers. Not one of them, however, had illusions that he had somehow accomplished something worthwhile in the process of making the Supreme Sacrifice.
I don't think I'd call myself a war writer, but I would probably say I'm a writer who has written about war.
All those - or most of those - who went through the experience during the Second World War - they want to remember more - more and more. It's never enough because we feel that we have to tell the story. And no one can tell the story fully.
And the Blue Angels are coming back to scare the local population. I remember seeing old Vietnamese women ducking under the benches in Washington Square; they thought they were back in the war.
IN trying to recall my impressions during my short war duty as an officer in the Austrian Army, I find that my recollections of this period are very uneven and confused.
It took me 14 years to write poems about Vietnam. I had never thought about writing about it, and in a way I had been systematically writing around it.
One has personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918 all but one of my close friends were dead.
Today the Somme is a peaceful but sullen place, unforgetting and unforgiving. ... To wander now over the fields destined to extrude their rusty metal fragments for centuries is to appreciate in the most intimate way the permanent reverberations of July, 1916. When the air is damp you can smell rusted iron everywhere, even though you see only wheat and barley.
History isn't the lies of the victors, as I once glibly assured Old Joe Hunt; I know that now. It's more the memories of the survivors, most of whom are neither victorious or defeated.
I was 20 years old at Pearl Harbor. I was in the Navy about a year and four months before the war.
When we went to Iraq, we stayed in one of Saddam's palaces. It was kind of creepy. If those walls could talk, there's no telling what stories they'd tell.
Every country has its own perspective on the Second World War. This is not surprising when experiences and memories are so different.
When I was a child, women spoke to me of how all they had was their memories, how their husbands went to war and never came back, so many tragedies. That chorus of voices filled my consciousness. It was part of life itself.
All the people of all the nations which had fought in the First World War were silent during the eleventh minute of the eleventh hour of Armistice Day, which was the eleventh day of the eleventh month. It was during that minute in nineteen hundred and eighteen, that millions upon millions of human beings stopped butchering one another. I have talked to old men who were on battlefields during that minute. They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind.
If you are a real soldier, you never get over the war.
He was the most decorated soldier in WWII with 21 medals.
I had a go at changing history - maybe not all by myself - I fought at the battle of Normandy, I slogged through the Ardennes, and I celebrated the liberation of Paris on the streets with beautiful French girls throwing flowers at me. I said good-bye to my first true love and discovered what I really wanted to do with my life.
As soon as I read that, it clicked: that's my theater of war. It was exciting to think that I could write about World War Two from a totally new place.
I've always liked American actors particularly. Because that was my first impression. I was very enamoured of America when I was a kid because we were surrounded by American soldiers during the war, the accent was very strange to me, it was very exotic and very captivating.
Time and distance from the first and second world wars doesn't seem to lessen their horrors.
When I look back on the townscapes now, they do seem to me to recall certain images of the destruction of Dresden during the war.
I have an uncle who was heavily involved in World War 2, so over the years, I've talked to him many times.
I returned to Vietnam in '94, and even then, all those decades later, walking around that place, I remained afraid. And, in some ways, rightly so.
Obviously all of us have thought about Vietnam, particularly in my generation in Australia that were part of conscription and fought there. Our friends came back, forever changed. So there were a lot of questions.