The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
The holy grail is to spend less time making the picture than it takes people to look at it.
I often avoid using the terms 'figuration' and 'abstraction' because I've always tried to have it both ways. I want the experience of looking at one of my paintings to be similar to the process of making the painting - you go from the big picture to something very intense and detailed, and then back again.
The HD revolution is over, it happened. HD won. Everybody wants HD.
Ineluctable modality of the visible; at least that if no more, thought through my eyes. Signatures of all things I am here to read.
In my case, I take part in performance-oriented music and believe it is my call to show the audience something that both their eyes and ears can enjoy.
Everything that you can see in the world around you presents itself to your eyes only as an arrangement of patches of different colors.
To see is to forget the name of the thing one sees.
Philosophers say that nothing can be seen that is neither illuminated nor colored.
I can't believe what's happening visually, in front of my eyes.
The whole life lies in the verb seeing.
Well, I have no problem with 3-D but I don't think it's necessarily a blanket requirement for every film.
Use your eyes as if tomorrow you would become blind.
I ask of cinema what most North Americans ask of psychedelic drugs.
Are we blasphemous in saying that 2-D is largely a thing of the past, and computer-generated animation is the present and future? It's all about creating a better experience for the viewer - and that includes 3-D.
I want to know one thing, what is color?
What we see changes who we are.
Everybody thinks they know what art should be. But very few of them have the sense that is necessary to experience painting, that is the sense of sight, that sees colors and forms as living reality in the picture.
What could be any more correct for any people than to see with their own eyes?
We eat light, drink it in through our skins. With a little more exposure to light, you feel part of things physically. I like feeling the power of light and space physically because then you can order it materially. Seeing is a very sensuous act-there's a sweet deliciousness to feeling yourself see something.
Surrealism to me is reality. Psychedelic vision is reality to me and always was.
Ten properties of an object, according to Leonardo: light and dark, color and substance, form and position, distance and nearness, movement and stillness.
The whole world, as we experience it visually, comes to us through the mystic realm of color.
To have a certain new eight-and-a-hal f-minute-old light from the sun-to feel it physically, almost as we taste things-this is where you can work with light like that.
The way I take in the world is by seeing it; that is very much evident in the songs that I write.
