It's sad when 'Grand Theft Auto' has more consequences for criminal behavior than real life.
It's like a dance, to choreograph a fight is like a dance. It's very specific. You have to carefully plan it out. Because if someone gets hurt, then we didn't do our job, someone screwed up. The fight choreographers and the actors involved, we messed up somewhere.
I wasn’t getting obliterated, but I was getting a kick. I was very method on that. That’s why I’d have gone along with it [if Tom had hit her]. But Tom was like: ‘Oh my God – I hope you don’t murder me!’
My death scene in 'The Salton Sea' is really weird. I mean, I get shot in the head. What experience can you possibly draw from? There's nothing you can compare it to, really.
When you throw punches at actors, you stop, you pull it, and it looks like you pulled it. When you throw punches at cartoon characters, they are not there, so you can swing through. It looks like you really decked them.
I just recently realized. It's very strange. But doing fight scenes with Kate [Beckinsale], I was little bit more cautious. You can go harder with a guy, which I don't mean as an insult.
We are spectators to violence, and therefore are, how well we don't know and make sure we don't know the difference of real violence to that of simulation.
You always agree with other actor beforehand: Are we going to fake it or are you OK with me hitting you? I've never met an actor who doesn't want to really go there. I would be disappointed in myself if I was like "Don't hit me."
