New York is the cubist, the futurist city. It expresses in its architecture, its life, its spirit, the modern thought.
Jewish and Arab neighborhoods in Jerusalem are interlaced one with the other.
The concept of architecture as analogous to landscape is something that has interested me for a long time.
The biggest thing growing cities need to do is minimize barriers to development so that as long as someone is doing good urbanism, they can get permitted quickly and get building quickly.
The truth be told, the World Trade Center was neither a very good work of architecture nor a very successful piece of urbanism. Its shortcomings were somewhat mitigated by the westward and southward expansion of the World Financial Center and Battery Park City during the 1980s.
I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing.
Our cities need to change, fast. Tactical Urbanism is a guided tour of solutions created when local people decide they can't wait for politics to catch up before they improve their neighborhoods. This weathervane book deserves a place on any urbanist's bookshelf.
City of prose and fantasy, of capitalist automation, its streets a triumph of cubism, its moral philosophy that of the dollar. New York impressed me tremendously because, more than any other city, it is the fullest expression of our modern age.
London is the most multicultural, mixed-race place on Earth.
Jane Jacobs work wouldnt have been complete if it hadn't inspired others to carry it on, and evolve Jane's groundbreaking accomplishments so that the essential kernel of thought remains relevant for future generations. The essayists in What We See have built on those essential footholds that people who have never heard of Jane Jacobs will benefit from for decades.
To approach a city, or even a city neighborhood, as if it were a larger architectural problem, capable of being given order by converting it into a disciplined work of art, is to make the mistake of attempting to substitute art for life. The results of such profound confusion between art and life are neither life nor art. They are taxidermy.
Berlin is liberation. Architecture, man!
Most of the people in New York are very often from somewhere else.
I used to be such a militant city-ist, but more and more I've seen forests and nature and oceans, and I don't know any more if this is the awesomest way to live.
I love how New York as an idea is less a paradigm of manifest destiny and more a romance for the social orphans of the world. We live here to be among the towers and the crowds.
We try to turn buildings into landscapes - defying the idea of modernism which sees nature and buildings as two distinct elements.
There's something really interesting about current urbanism: the only model is the universal model, and there is increasingly incapacity to consider the virtues and the qualities that are there, and then to build on them. The only thing is complete transformation.
I want to live in a world capital or the howling wilderness.
Any urbanist has to appreciate New York City and the way it works. The public transit is astonishing.
I guess I've always been quite interested in the Situationists' ideas about urbanism and spectacle and how we move through life.
Cities are an immense laboratory of trial and error, failure and success, in city building and city design.
Yet, like the sea and the gallows, London refuses nobody.
Walkman was the precursor to the cell phone, in terms of your strategy for getting through the urban landscape and the modern experience. Insulate yourself from it with your own soundscape.
The cities of the world are concentric, isomorphic, synchronic. Only one exists and you are always in the same one. It's the effect of their permanent revolution, their intense circulation, their instantaneous magnetism.
Cities are about juxtaposition.
